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FANTASICING ABOUT CAMPERVANS – BUT GETTING SCARED

THINKING ABOUT A CAMPERVAN LIFE:

I had found videos on YouTube about five years ago about van life, people living in vans. The channel that YouTube served up into my recommendations was CheapRVLiving featuring Bob Wells, who is the leader of the pack, so to speak.

He started his channel and has hosted so many other van dwellers, every one of which was more fascinating than the other.

My first interest was pure fascination. How can a person live in a van? Or why would a person live in a van? After only a few videos, I became obsessed by the van dwellers and started to think I would like this lifestyle. It was always presented as a lifestyle as so many people were living in vans full time, as Bob does, for financial reasons.

THE EXPERT SOLAR GUY:

There was a young twenty-something guy, Will Prouse, who has a channel called DIY Solar Panels with Will Prouse. who lived out in California where housing was so expensive and he did diary entries about living in a RV at first, but then he moved into different types of vehicles.

He became an absolute expert at hooking up solar panels and creating converting systems. I used to watch him a lot because he lived right in the city at the time, and he shared a lot of crazy stories about street people he came into contact with. He was a world of information.

SCARYING MYSELF WOULD MAKE ME TURN BACK:

As I thought about doing this, I would at times scare myself out of it. I would see how much strength you would need to build out these vans and often they were men building them — young men. I’m retired and close to 70 years old. There’s no way I have the strength of a young man. I never had the strength of a young man, even when I was 20-something myself — but I have even less so now.

Another way I used to scare myself was to see these young girls who had build out vans and were staying free on BLM land, which stands for Bureau of Land Management. The translation is land owned by the government that anyone can stay on for free. HOWEVER, often, these lands are in areas that are far removed from suburbs and even local towns.

I would see these girls camped out next to their vans or minivans — some even in sedans — in an area that seemed so desolate. I must confess, I would be too scared to do something like this. Growing up in a suburb of New York City, and living in the same type of ‘first ring of suburbs’ outside other cities, I’m not comfortable too far outside this area. I’m always afraid of getting a flat tire on any dirt road I have to travel on, even short ones. So driving for miles into these BLM lands? For me, this is out of the question.

The other thing that I would allow to scare me was the constant moving around and driving that many van dwellers seem to do. Because they choose to live in their vans, they’re always on the move. Aside from a few days at a campsite here and there, they seem to always be on the go. This used to scare me too until I realized that they had completely different goals for traveling in this fashion than I did.

For example: The young singles who choose to live in a van to help them pay off their school debt and/or save for a real house or condo, I think these people are brave and brilliant. I could see myself as having done something like this too. I used to live in New Jersey, right outside NYC and the houses that our parents purchased in the 1940s and 1950s for under $15,000 were selling for $250,000 and more. And this was happening in 1988! So any dream of owning property in that area made me move to south Florida where houses were still affordable.

FIGURING OUT WHY I WANTED TO CONVERT A CAMPERVAN:

When I realized that everyone had different goals for traveling, it made me realize that I was interested in a campervan to be a temporary and occasional traveler. I could travel to see family without flying — which I hate now. I don’t like flying because the pace of it is too much for me at my age. The bustle at airports like Miami and NYC, are just too much.

My last experience going through security with the TSA agents was also a nightmare. I had to find the tram that brought you to the gates, manage and lug around my suitcase and large purse,keep my IDs handy to flip out on command, figure out how to get the boarding pass from a kiosk, keep my tablet and laptop separate and ready to put into their own tubs, and then take off my shoes during this process, only to have to put my hands up and spin around in the x-ray machine, I was a nervous wreck by the time I got through it. I know I’m done with flying except for emergencies, and I now think of driving a campervan at my own pace as much easier.

I had to find my own reasons for wanting a campervan: I want to visit family without the stress of flying, driving at my own pace, and enjoying the journey.

The second motivation I found for traveling this way was having seen conferences that I would have loved to go to, but adding the expense of a flight and hotels and car rentals on top of the conference fee, it was too much and I would opt not to go. But if I can plan to take 3 days to get there, I can go to many of these conferences for less than half of the expense.

BEING ABLE TO CONTINUE WRITING:

The other motivation that I found about traveling in a campervan is that I can still write as an author during my rest periods. For example: Traveling four to 6 hours a day is about as much as I can take of pure driving. So if I can find a campground that I can stay in for the afternoon and evening, I can write either in my campervan or I can even go to a local library and write in AC or heating comfort before settling in to go to sleep at the campgrounds.

SEE MORE FAMILY AND EVEN OLD FRIENDS:

By traveling with my own sleeping arrangements, I can also visit old friends that I haven’t seen in years. If you visit someone on a plane, you’ve made your decision who you will visit. If the other people you would love to see live more than an hour away, it’s hard to get to see them on the same trip.

Once I find my own motivations for why I wanted to travel this way, I was able to watch the videos of people camping on BLM land and not allow it to scare me out of the idea. I was able to watch for their travel tips.

How Grief & Loss Can Affect a Writer’s Mind

HOW DEATH CAN AFFECT A WRITER'S LIFE:

I have been writing novels since about two years before I retired in 2020. You can see them all if you click on the picture of them to the left. My life has been very stable and this, of course, makes writing very easy. Writing novels gave my life a certain structure and routine that can disappear when one retires from the workplace.

I moved to central Florida to get away from the craziness of Broward County, Florida, and had two family members close by. My brother lives in Orlando, which is only an hour away, and my cousin Michael moved up to live in my town and only lived two blocks away. My cousin and I had been close my entire adult life, and had gotten closer in the last five or six years. He was my anchor in this area of Florida. I have always been a "family person".

My other relative living close by is my brother Bill who lives in Orlando. It's only about an hour or so away and we met at least monthly for lunch and to catch up.

In the first week of April, my cousin Michael showed signs of not being able to finish his sentences. This happened overnight. I was with him the week before this and he was fine; better than fine. His speech was perfect and his memory was still 10 times better than mine.

After having to wrestle with him to go to the emergency room, he was diagnosed with brain cancer, and had 5 tumors that were inside his head. The prognosis was not good. My heart was broken for him, but I had to jump into caretaking mode, and that is a physically and mentally demanding role. In other words, there's no time for crying or falling to bits and pieces. I was raised as an Irish stoic of the highest order, and we don't collapse into tears until the mission, whatever that is, is completed.

So I and Michael's sister -- who immediately flew down from the northeast -- started preparing his house to have in-home hospice. His house had fallen to bits and pieces over time. A few weeks before this diagnosis, he had banned me from coming inside. He said it was because it was messy and he didn't want me to see. I am a bit of a neat freak, so I said I understood. However, the house showed signs that it wasn't just a mess; he had lost the ability to take care of himself and his cat. He just hid it well.

Living two blocks away from where Michael would be with hospice, my house filled up with cousins and spouse-helpers. We ran all over town preparing to have Michael discharged and brought home for in-house hospital.

While signing up my cousin for county services, he fell while walking with us and hit his head. This fall suddenly changed everything. He was taken by the paramedics and arrangements were made to have him go to a hospice facility. Instead of needing in-house hospital, he would spend the next two and a half weeks in the hospice facility before he passed away.

The hospice he was in was beautiful, clean, and everyone who worked there was wonderful. We found it through Marion County Services, E.W. & Lucille Cates House, and it was wonderful. The people who worked in the hospice system were all compassionate people who had been called to this type of work -- which is not easy. I am eternally grateful to them for how lovingly they took care of Michael in his last weeks.

SHOCK AND THE CREATIVE MIND:

During this time, my creative mind shut off. I don't think this is unique to me. I assume this would occur with anyone, especially when you are dealing with caretaking and/or grief. Writing was put not only on the back burner, but the pot was set off on a resting pad for an unknown time in the future.

I did continue my marketing, as my marketing is on semi-autopilot and it is as easy as copying and pasting onto the sites and takes less than 30 minutes. This routine at least kept me tethered to the book author in me.

STRENGTH THROUGH FAITH:

Raised Catholic and having embraced the faith myself many years ago, this has given me a softer view of death because I know it's not the end. My cousin, as well as the other family members who went before him and who I still miss, are with the Lord and I believe that I will see them all again. I liken it to being in the world, which is like Disney World, and they got tired and went back to the hotel room. I'm still in the park but I know they are not that far away and I will see them again.

We had our priest come and pray with Michael before he passed, and my cousin and I said a Rosary at his bedside the night before he died. So I take great comfort knowing that we were with him until the end. He drifted off to Heaven without any pain. I consider this, even in spite of the shocking and sudden diagnosis and loss, the blessing of a painless death.

ANOTHER LOSS:

About a week after Michael's passing and cremation, my brother announced he will be moving down to Hollywood, Florida to be closer to his children. That's about five or six hours from where I live. Suddenly, my second family anchor is disappearing. This made me feel more unanchored than I felt losing my best buddy and cousin, Michael.

FINDING A NEW NORMAL:

I know from past losses that there will always be a new normal. I also know I have to be willing to go through the painful and scary feelings of being lost and untethered before I can find that new normal.

I spent two weeks after Michael passed away running around and taking care of the 'business side of death' which involves lots of calls and running around.

During this time, I opened my last book, and wasn't even sure where I was with things. I write in Scrivener, so it didn't take long to find my place and figure out where I was in the story. I managed to pick up where I last was and wrote a few chapters on the same story. This restored my faith in being able to continue on with my writing.

PLUGGING ALONG:

As an author I am plugging along, but things are still slow and I'm still quite distracted by the grief and losses. Losing my two family members, one to death and one to Hollywood, Florida, led me to buying a minivan to build out as a camper van. I am intending to become a part time campervan traveler. This way, I can visit my other family members who reside in different places all up and down the east coast.

I'm still in the planning and layout stages, but I want to build a minivan where I can continue writing and visiting family. I still feel heavy with grief, but I feel hopeful for the future. I can see the glimmer of a new normal. I'll keep you all posted!

Iron-On T-shirt Design – Feeling Feline

Coloring Page – Cinco de Mayo

Iron-On T-shirt Design – A Good Day to Read

Coloring Page – Earth Day

How to Create a 3D Book Series Book Cover

This blog post is done to accompany the video that is posted below. This will give you the instructions that may be helpful to keep open as you create your own 3D Book Series Bundle Cover like the one on the left.

These instructions will allow you to make any size bundle cover, going in any direction.

At the end of the video, I will also give you instructions to make the thumb cut or the finger pull that is popular on book series as well.

WHAT YOU WILL NEED:

A high resolution front cover copy of your book, or whatever other copy you want to represent the book series
Gimp photo editing program which is free, or photoshop. If you use Canva, I will assume you can translate all the steps in that program.
A high resolution picture of whatever you want to be the background behind your books spines.
Any emblem or other branding graphics that you may want to put on the covers. In the cover that I make in the video, I use a police badge graphic to brand the series as a police procedural.
You will need a large rectangle image with a transparent background in order to work. Make sure you are also working in 300dpi or 300ppi, whatever the resolution is referred to in your program.

LET'S MAKE THE 3D BORDER DIAGRAM:

In gimp, the first thing we will do is open a document that is 2500 pixels wide and 1,000 pixels high. This will make sure you have lots of room to work.

The next step is to bring in a 3D bundle model cover that you found on Amazon, like the picture on the above left.

Next, draw lines around the cover so that you create this shape. Our final cover will be transformed into this final shape by using the perspective tool. The example of this is above right.

LET'S CREATE THE COVER AND THE BOOK SPINES:

Open a new document that is 2082 x 1000 pixels and 300 dpi. This will turn out to be too large, but better too large than to run out of room. This will give me a good platform to make the book series mockup.

Bring in your ebook cover and place on the right side of the space. Leave a space between all the books spines and the cover. Add the titles and the author name.

My best tip is to start with the book title that is the longest. This way, you will choose the right size font to use. You will also need a picture to put on the background of the book spines. You can either add a color wash layer or fiddle with the opacity to make sure you can read the book titles.

Once this is done, you will then want to add a 5 pixel line between the books and then on that same layer, add a filter, gaussian blur and blur it out until it looks like a slight bend between books.

The final step is to choose a light color and dark color from your front cover. The create a gradient in the space between the front and back. Anyone with digital graphics skills will be able to put this together with just these few instructions and pictures. However, if you are new to graphic design, just watch the video below where I demonstrate how to make it using gimp, which is a free program.

The video below will be available when it is posted:

https://youtu.be/uU0xM48Cou4

13 Tips on Formatting a Book with Text, Pictures and Graphics

I just finished formatting and publishing a new workbook entitled Brainstorming: Thinking Up Storylines and wanted to make a blog post and video while all the information was fresh in my mind.

I made a few errors when creating my book, and hopefully, reading through these 13 tips, it will help you avoid those same errors.

1. You need to know the size book you want to create. That's called the trim size. The most common size for novel paperbacks in the USA is 6" x 9". Larger books have different printing costs. I published a workbook and it was 8.5" x 11".

2. You will feel most confident by downloading a template right from the KDP website. If you don't know the exact number of pages, you can use a template with the approximate number of pages. I didn't use a template. I just used very tight margins and the default print size in Microsoft Word. But if you want to download a template, you can find them on this page: (https://kdp.amazon.com/en_US/help/topic/G201834230).

3. The inside layout of your book will depend upon how you set up your page margins. In some books, like children's picture books, you may want a more spatial look. For my workbook, I wanted my margins as tight as I could get them. They were 0.5" top, bottom and both sides. That's about as tight as you can make margins.

4. You need to know how much space to choose for the book gutter. Above is a snapshot from the KDP website showing the inside gutter margins based on how many pages will ultimately be in your book. As you can see, they have different measurements for bleed and non-bleed. If you are setting up your book from the beginning, you can work with an "approximate number of pages." If you click on the picture it will open a larger size. Otherwise, here is a link to the KDP page with the information.

Notice too that you need to choose based on bleed or no-bleed. These instructions and video are for the book that has no bleed. This means all the text, pictures and graphics will be inside the page margins.

5. This is for two changes under the File section of the document. We will embed fonts and choose not to shrink the photos.

5A: File > Options > Save > Embed fonts, check the top box only. But be aware that even though this is following the directions from the KDP website, you may get a message that say something like: Your fonts are not properly embedded, but we can embed them for you. Don't scramble around trying to fix them. It always says this. As long as you checked the top box, it will be fine. Below is a link to check the video about embedding the fonts for yourself. Here is a link to check out the video on how to embed the fonts from the KDP website:

5B: On the Advanced Tab, go down to where it talks about saving photos. Then check the box that says, do not compress the pictures. Also make sure your pictures are in a large format. Mine was set at 220ppi which was fine. If you are using high-resolution photographs, you may want to put the ppi up to 300.

6. Put on the Show/Hide selection, so you will see all of the line breaks and page breaks. Also, add a page number so that it will take this into account. If you wait until the end to add the page numbers, then this may throw off some tables or graphics. So before you even begin, add the page numbers. You will need them for the table of contents anyway.

7. This is a work-flow tip: Before adding a picture be sure to add a space above and a space below the picture. You may need the space above to add more text or a title, and you may need to add text or add a page break after a large photo. If you don't use this spacing technique, you may have to go through a whole game of tug-of-war with Word in order to get a space above or below a picture. So try to use this technique to save yourself the frustration. I demonstrate this in the video below!

8. I have added pictures from the insert picture menu and I have even copied and pasted graphics from my Gimp program straight into the book. They both work for me. I mention this because I either read or heard on an instructional video that you always have to insert them. But I copied and pasted many of the pictures in my workbook and they all came out perfect in the final copy.

Be aware that any pictures that have color in them will be printed as black and white.

9. Each picture or graphic will require you to make at least two choices. Both choices will be made from the Picture Format tab. In order to see the tab, you must click on the picture.

The first choice will be to wrap the text or not wrap the text around the picture. These choices are both inside the Picture Format tab as seen above. In order to see the Picture Format selection, you will need to click on the picture to make it active. Then inside the picture format, choose the wrapping style and also the align style. You will most likely want to center the picture.

Don't be alarmed if the picture appears to not be perfectly centered. Behind the scenes, Microsoft is allowing space for the gutter of the book.

10. To add two pictures side by side, use a table with no borders and center the table. Then center the pictures in each cell. I demonstrate this in the video below.

11. In the workbook, anything with color will be produced in black and white. Just know this ahead of time.

12. In order to have a two tiered table of contents, you will need to use Heading 1 for the top tear titles, and Heading 2 for second tier titles. Likewise, if you will be working with more sub-headings, you will need to use Headings 3, 4, etc.

13. Use Odd-Page Breaks and Even-Page Breaks instead of line breaks!

In my workbook, there were pages that started a new brainstorming method, so I wanted those to be on the right hand side. So I made sure I chose a page break that was a section break (odd page).

Likewise, I had a two-page workbook form that I wanted the user of the workbook to be able to see side by side. So the first page needed to be on the left hand side, so it had to be a section break (even page). I have an example of how it looks in Microsoft Word above.

One further tip is that once you finish your book, you need to save a copy as a PDF. All paperbacks have to be submitted in PDF format to KDP. However, in order for you to check your even and odd pages, it is easier to look at this in the PDF because that will how the extra pages that Word skips. If this doesn't make sense, be sure to check out the video below!

Below is the video which will show up once it is published:

Coloring Page – April Fool’s Jester

Two Different Stories from the Same Story Premise

AN OVERVIEW OF THIS COURSE:

I recently saw the movie entitled "The Big Clock" which was made back in 1946. It was a psychological thriller noir and noticed that it was the same story premise as another movie from 1987. The premise of the stories are the same and they are both based on the original book entitled "The Big Clock" by Author Kenneth Fearing.

I believe doing a deep dive on these two films has a lot to teach about story engineering and brainstorming new stories. One reason is that the underlying premise of the story is exactly the same, but the whole story is different in each movie. Not just slightly different. Very different.

I will break up this mini-course into a crime spine to demonstrate how the clues are dropped into the storylines and how the authors' choice for locations, and twists made for the completely different story.

The Big Clock was about 1 hour and 30 minutes, and No Way Out is about 1 hour and fifty minutes. But there is a lot packed into the movies.

THE BIG CLOCK WRITERS, PRODUCERS, DIRECTORS AND ACTORS:

The Big Clock – 1946 Movie was produced by Richard Maibaum and directed by John Farrow. As stated above, it is based on the novel entitled "The Big Clock written by Kenneth Fearing.

The movie has several stars from the 1940s in it, but the main parts are played by Ray Milland, Charles Laughton, and George Macredy.

Other Stars: Elsa Lanchester and Rita Johnson

THE BIG CLOCK LOCATION:

I want to take a moment to talk a little bit about the building that serves as the location for the drama. Janoth Publications Building in located in New York City. The building's clock plays a small part in the story but anyone under 40 probably won't know why. Research revealed that this movie was shot mostly in Los Angeles on sets, but the magazine company is set in New York.

At one time, digital clocks were the latest in technology. So this building that had a digital clock like above, that could be read from outside by anyone in the city, was a big deal. I believe that's why it was chosen as the location for the story. By today's standards, it's a riot, but in 1946, it was the state of the art!

I will put the clues as they drop in red text. This way, you can see how they are sprinkled into the storyline.

THE STORY HOOK - THE MOVIE OPENS WITH A FLASH FORWARD

George Stroud is running around the building, up in the clock area, and you can tell he's hiding from someone. He is frantic and sweating. He is thinking out loud and asking himself how he got himself into this mess. This gives the viewers a glimpse of what is to come.

NEXT SCENE: THE STORY PREMISE IS LAID DOWN:

The Premise: George Stroud is the Editor in Chief of Crimeways Magazine. He's rushing around at work with his staff trying to get his work done because he's going on a honeymoon with his wife -- and son.

He was called away from his original honeymoon due to a work emergency at Crimeways Magazine. This trip has been planned for him to make it up to his wife. He's a good guy, gets along at work, and is a great crime investigator -- which is why he is editor in chief of the magazine.

NEXT SCENE: Earl Janoth, the big boss at Janoth Publications, is a slave driver and he sends his right hand man, Steve Hagen, in to talk George into postponing his honeymoon again because they need to solve the Fleming case before the cops do. Hagen goes in and delivers the news, but George is adamant that he is not missing another honeymoon. He then tries to get Steve to understand how his wife feels about things.

NEXT SCENE: A smartly dressed, beautiful blonde is rummaging around in Janoth's office, the big boss, and she also has the intercom on. The intercom is a device that allows Janoth to listen in on his employees. The woman's name is Pauline York and we find out in short order that she is Janoth's mistress. Pauline hears George trying to reason with Steven Hagen as to why he can't cancel another honeymoon.

Earl Janoth walks into the office and catches his mistress in his office and he's not happy. He doesn't know how she got in and she brags about taking his private elevator up and flirting her way through security. Not liking to be out of control, Janoth walks her out of his office to the public elevators, but not before telling her he will see her later at 10:50 PM. There is tension between them. We also find out that Janoth is paying her bills, including her singing lessons.

NEXT SCENE: Back in George's office, Hagen is still putting pressure on George to postpone the honeymoon, but George refuses. He eventually storms out of the conversation and he leaves.

PAULINE'S SCHEME - WHAT SHE WANTS:

In the next scene, it's lunchtime and Mistress Pauling walks into a fancy restaurant where George is sitting at the bar with another man. George orders them two more stingers and the mistress saddles up to them and says, make it three. The man then excuses himself because of an appointment with a psychiatrist. Pauline slips into his seat.

She tells him she wants to tell his fortune and reads his palm. She then repeats everything he was complaining about regarding Janoth, the boss. He now knows she overheard him. She claims her and Earl are old friends. She suggests that maybe she and George should put their heads together to get even with Janoth. However, at the time this suggestion comes out of her mouth, George's wife, Georgette, comes in and walks up and is not happy about her husband sitting next to and talking with this beautiful blonde.

After a tense moment between the two women, Pauling leaves. George smooths down his wife's feathers by showing her he has reserved a table for them to have lunch, and he has ordered champagne, and they will toast their honeymoon.

The wife settles down and she confirms that she has the tickets for the train and they both toast to their honeymoon.

Back at the office, Hagan tells Janoth he was not successful in talking George into postponing his honeymoon. Janoth is not happy, but says that he has another idea, another approach.

NEXT SCENE - AFTER LUNCH - JANOTH'S SETUP

George is engaged with co-workers taking care of everything so he can leave on time. Janoth strolls out of his office at 4PM and joins George in front of his Crimeways Crime Board and he proceeds to compliment George about being able to solve the crimes even before the cops in most of their cases. Janoth is not the type to compliment anyone and George takes the bait.

Then George goes into a long explanation of how he uses the blackboard to add all the clues, and he focuses on an 'irrelevant clue' and that's always the one that helps him solve the crime.

During the conversation, Janoth slowly walks with George during their conversation into his office. He then tells George how happy he is that they are comrades at work, and they can always count on each other. George is enjoying having his ego stroked. Then Janoth tells him he wants him to work non-stop on this Fleming case and it will increase the circulation by at least ten percent.

George then wakes up and realizes that Janoth is trying to get him to postpone another honeymoon. But this time George refuses.

After the buttering up didn't work on George, Janoth resorts to threats and tells George if he doesn't stay, he will be fired. He also tells him he will blacklist him and he'll never work in this town again. George still refuses and he's mad because he knows Janoth was manipulating him. He says, fine, I'm going anyway. He walks out and goes back into his office.

PAULINE'S SETUP - WHAT SHE WANTS

His secretary calls in and tells him there's a woman on the line who wants to tell his fortune. George knows it's Pauline, so he picks up and blurts out that Janoth has just fired him. Pauline is shocked and she asks him what he's going to do. He says, right now, I need a drink. She wants to join him, but he says no. She then says that she knows a way to make Janoth give them both what they want. She tells him it will be worth his while to at least listen to him. He agrees.

PAULINE REVEALS HER PLAN:

George and Pauline meet in the bar and they have a drink. She begins to talk about confidential files and lets George know she has the goods on Janoth. She suggests that they put their heads together to get even with him.

George hears her but he doesn't really take the bait from her. He's still angry and he starts drinking pretty fast; one drink after another. During this time, George knocks one of the green drinks over and it spills on Pauline. He gives her his handkerchief and she dabs it up as best she can. It doesn't stop either of them. They continue partying and then decide to go to some other bars.

As they are walking the avenue, it dawns on George that the time has gotten away from him. He wakes up and runs to a phone booth and calls his wife, but is told she left without him. He knows he's in big trouble. He decides to take a plane there later, but in the meantime, he continues drinking and carousing around with Pauline.

They stop on the avenue and George sees a painting by an Artist by the name of Patterson in the window. He is a collector and he pulls Pauline into the antiques store. Another customer is ready to purchase the painting he wants, so George goes up and starts bidding with the store owner and he decides to pay $30 for it. The original customer is rebuffed and she leaves. George then goes out with the painting under his arm.

They go to Burt's Place, a sort of sleezy guy's bar down the avenue. Burt prides himself on always having whatever anyone asks for. Trying to stump Burt, Pauling and George ask for a green clock. Burt takes out an old sundial and ties a green scarf around it and passes it off as a green clock.

A drinking buddy of George's comes in and he introduces him to Pauling as Jefferson Randolph. Then he introduces him as President McKinley. The guy was an old radio star. They are all still drinking, laughing, and partying.

LATER IN THE EVENING - AFTER THE PARTYING ENDS:

In the next scene, we see George asleep on a couch. He's in Pauline's apartment. She looks out the window and sees Janoth has just arrived. She quickly wakes George up and tells him he has to go. George is hung over, but he gathers himself and leaves the apartment, but he waits over by the staircase in the shadows. He watches as Janoth comes out of the elevator and stands in the light.

Janoth sees a man at the end of the hallway, but he can't tell who it is -- but he knows it's a man. He is suspicious that this man came out of Pauline's apartment as she has a history of flirting with other men. Janoth goes into her apartment and she is acting nonchalant. He asks her who just left. She says, oh, no one just a friend. Janoth doesn't believe her and the two of them start arguing but it quickly descends into a nasty verbal fight. He just about accuses her of being a whore and she tells him he's a disgusting fat slob -- or words to that effect. During her tirade, she picks up a small clock from her table and throws it at Janoth. It misses but smashes against the wall and falls to the floor.

She continues her tirade telling Janoth that he's revolting and everyone hates him. In anger, he reaches over, picks up the sundial with the scarf and hits Pauline over the head with it. He kills her and leaves her laying on the floor next to the couch.

JANOTH TALKS TO STEVE HAGEN, HIS RIGHT-HAND MAN:

Janoth leaves and he goes to Steve Hagen's home where he casually tells him that he killed Pauline. He said he didn't mean to kill her, but something came over him. He tells Hagen he just wanted to talk to a friend before he calls a lawyer and turns himself in. He assumes he will be going to jail after that.

HAGAN OFFERS AN ALTERNATIVE:

Hagan tells him maybe he's acting too fast. Since only he and Janoth know about his affair with Pauline, maybe he doesn't have to admit to it. Janoth tells him there was a man in the shadows outside Pauline's apartment that saw him. He doesn't know who the man he saw was, but he knows the man saw him standing in the lighted hallway.

Hagan tells him all they have to do is find this man and 'take care of things' and he will be fine. Janoth suddenly thinks this can work. He tells Hagan that he left his hat over in Pauline's place. Hagan agrees to go over there, retrieve the hat, and then he will be in the clear.

HAGAN VISITS THE CRIME SCENE:

Hagan goes to Pauline's place and he retrieves Janoth's hat. He also sees the clock on the floor, and he turns the time back about 40 minutes. He looks around and finds the sundial. He turns the sundial over and on the bottom it says: "Stolen from Burt's Place" with the bar's address.

Hagan is getting ready to leave and he spots Pauline's purse on a table. He rummages through her purse and sees a handkerchief with a large green stain on it He puts the handkerchief in his pocket. He then leaves.

THINKING ABOUT A CAMPERVAN LIFE:

THE EXPERT SOLAR GUY:

SCARYING MYSELF WOULD MAKE ME TURN BACK:

FIGURING OUT WHY I WANTED TO CONVERT A CAMPERVAN:

BEING ABLE TO CONTINUE WRITING:

SEE MORE FAMILY AND EVEN OLD FRIENDS:

HOW DEATH CAN AFFECT A WRITER'S LIFE:

SHOCK AND THE CREATIVE MIND:

STRENGTH THROUGH FAITH:

ANOTHER LOSS:

FINDING A NEW NORMAL:

PLUGGING ALONG:

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WHAT YOU WILL NEED:

LET'S CREATE THE COVER AND THE BOOK SPINES:

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THE BIG CLOCK & NO WAY OUT

AN OVERVIEW OF THIS COURSE:

THE BIG CLOCK WRITERS, PRODUCERS, DIRECTORS AND ACTORS:

THE BIG CLOCK LOCATION:

THE STORY HOOK - THE MOVIE OPENS WITH A FLASH FORWARD

NEXT SCENE: THE STORY PREMISE IS LAID DOWN:

PAULINE'S SCHEME - WHAT SHE WANTS:

NEXT SCENE - AFTER LUNCH - JANOTH'S SETUP

PAULINE'S SETUP - WHAT SHE WANTS

PAULINE REVEALS HER PLAN:

LATER IN THE EVENING - AFTER THE PARTYING ENDS:

JANOTH TALKS TO STEVE HAGEN, HIS RIGHT-HAND MAN:

HAGAN OFFERS AN ALTERNATIVE: