Writers Diary – Read First Chapter.com

Organizing Writing Projects Workflow – Part 2

WHERE WE LEFT OFF IN PART 1:

Video-Panel-Calendar-with-time-entriesIn the last installment, I described how to start your duties and obligations list with realistic times associated with each one.  The list will prove itself over a week or so.  Then you will be ready to expand on that list and make a series of workflows, templates, and procedure lists or diagrams.  I have posted my own above to jog your memory as to where we left off.

HOW TO RECLAIM TIME:

First let’s talk about strategies for finding, making and clawing back time from your days that may be wasted right now.

  • Looking at your list, are there any obligations that you can take care of while waiting for  other things in your life?  For example:  Can you make some calls as you wait in line to pick up kids at school?
  • Can you save yourself a trip out of the house by hooking two or three errands together on the same day?
  • If you are spending your lunch breaks listening to coworkers blathering on and on about inane things, can you write during your lunch hour?  Or can you run an errand to clear a Saturday for a greater goal?
  • Can you listen to an instructional video while driving home from work or some other obligation to make better use of time in traffic?
  • Go through the list and see how you can mop up wasted time out of your days and reclaim that time for more or better things.
  • If you have 10 minutes here and 20 minutes there, don’t waste it.  Clean out your purse with the 10 minute time slot.  Do online research for that 20 minutes.

Every minute that you make better use of will free your schedule for the higher goals you want to pursue.  Will your life suffer if you miss out on office gossip at lunchtime?  I doubt it.

A SPECIAL NOTE ABOUT GETTING LOST IN SOCIAL MEDIA:

Social media can be wonderful or it can be a time-wasting trap like none other. Be particularly careful with short videos or reels.  This can be  mindless and mind-numbing.  One short video can lead to the next almost without willing it.  We’ve all been there.  Think of the times the internet, in whatever form, has stolen an entire morning or afternoon.  In order to reach higher levels of accomplishment, this has to stop.

Assign yourself some mind-numbing social media time  at night.  You will have already met your daily accomplishment goals.  By checking social media in the evenings, the news of the day has had time to ferment.  You’ll be reading news instead of ‘breaking gossip’ or hours of speculation.  You can see what your favorite social media people  have said all day instead of in the last hour.

If you must go on social media during the day, set an alarm to sound in fifteen minutes.  Then get back into accomplishment mode.

START THE WORK FLOW FROM THE TOP:

Chart-The-Hats-Chart

As a self-publisher, all of the hats I wear in writing and publishing books are noted in the chart above.  Analyze and translate your business and make a similar chart.  As we move along, we’ll drill down into each section and make work-flow diagrams, procedural lists, or informational sheets for just about everything that has to be done.

EVERY BUSINESS OR WORKFLOW NEEDS A FILING SYSTEM:

As you begin, it’s important to know how you will organize and file the work product you are about to produce.  For example:  How will you file your book manuscripts so you can put your fingers on them in two seconds?  How will you file all the marketing graphics you produce once you create a social media presence?  How will you file and store video files that may be too big to store on a laptop or a desktop?

It’s a good idea to think about this in your analyzing phase.  Below, I’ll go into details about how I set up my book files to keep everything orderly and consistent.

STARTING AT THE TOP OF THE HIERARCHY:

Below is a snapshot of the top layer of my Self-Publishing Business.  Each area represents another hat I wear in publishing my novels — or any other books I may decide to publish.  I created this mindmap on a free tool called Freemind.  What I like about this mindmapping software is that I can close each of the sections and only focus on what I need depending upon which segment of the self-publishing process I am in.

Diagram-Top-Hierarchy-nothing-opened

ORGANIZING MY BOOK FILES | MANUSCRIPTS & COVERS:

Book-file-hierarchy-diagram

Above is the Book Files Hierarchy opened.  It contains a list of all of the folders, sub-folders and files I need for each of my books.  By having this visual, I can be consistent in the names of the folders,  It’s even possible to set up the folders before you even finish a first draft.

When I wrote my first novel, I can’t tell you how many “drafts” I had and how mixed up I got with it all.  This system makes everything clear and self-explanatory.

SELF-PUBLISHING ROADMAP:

Scroll-Page-Self-Publishing

Above is the Self-Publishing Roadmap section opened.  This is more of a chronological list of everything that has to be done.  I have Procedural Lists and/or Informational Sheets with more detailed instructions for each of these steps.  It seems a bit excessive, right?  Not really.  By using organizational tools, diagrams, and lists, it prevents me from having to reinvent the wheel each time I have to do something.   I also don’t have to use valuable mental energy ‘figuring things out’.

There are many things I do on autopilot and I don’t use a list for those things.  Anything I do everyday or once a week, I don’t need a list for.  The lists come in handy when I’m doing something I only do occasionally.   I believe by having these lists, I cut through any confusion or a bad memory.  I have more energy to write!

LET’S LOOK AT THE PROOFREADING LIST:

Scroll-Page-Proofreading

Above is a snapshot of the Proofreading tab opened.  It has a chronological list of how I proofread.  I proofread in layers because it makes it easier and less taxing.

LET’S OPEN THE FORMATTING TAB:

Scroll-Page-Formatting

Above is the Formatting Tab opened up.  It too has a chronological list of how I take my books from formatting the eBook, making the ePub for best upload on Amazon, to the paperback and Hardcover.

If ever I’m at a loss as to what comes next, no matter where I am in the self-publishing process, I just have to go to my list, and the next step will become as clear as day.

Below I have a short snippet where I open all of the sub categories and you can see the chronological lists that serve as guides and reminders of what every facet of the process requires.

INFORMATIONAL SHEETS | PROCEDURE LISTS | DIAGRAMS:

In creating workflow information for the entire self-publishing process, I use a series of Informational Sheets, Procedure Lists, and Diagrams.  They all serve the same purpose:  To make sure I know what is needed, it functions as a memory jogger, and gives me a sense of knowing I’m not forgetting anything.

Below is a Video Snippet showing one my Informational Sheet on Formatting.  I have been adding information and specific notes about experiences I’ve had with formatting for the last several years.  I check this list before beginning any formatting so I refresh my memory about any little snags that happened in the past.  This is a great time saver.

Below is a video snippet scrolling through the Formatting Info Sheet.

In the next installment, I will cover my Blog and Video Procedural List.  This allows me to easily write a blog, convert it to a video script, and make blog graphics and video overlay panels at the same time.  Multitasking supercharged!  See you in the next installment!

 

Writing Fiction or Memoirs With a Purpose

IT’S IMPORTANT TO KNOW WHY YOU WANT TO WRITE.

EWords-Writing-with-a-Purposeveryone writes for a reason.  Knowing why you write is important, especially as a beginner writer.  Writing a book is not hard, but it can be a long process.   If your purpose for writing is clear, this will give you the energy and inspiration to spur you on if and/or when the going gets a little tough.

Are you writing for pleasure?  Are you an avid reader and you want to write the books you never found?  Do you want to write around some social commentary you have a desire to share?  Writing is a form of sharing.  What is it that you want to share?  Your wit?  Maybe Satire? Have you always been told that you’re funny?   Do you have a unique take on society that you think people would like?

I love stories and movies that have a backdrop of Catholicism in them, like The Godfather saga, or The Supranos, or even Ray Donovan.  The Catholicism in these stories felt familiar to me and I believe it gave the story a layer of depth as it tapped into religion and culture which tends to anchor a group or family.  So I write novels that have either a backdrop of Catholicism or a ribbon of Catholic sensibility passing through it.  Of course, I leave out the blasphemy that Hollywood loves to toss in there on occasion!

I also write as part of my legacy.  I began to write in 2018 when I moved to Central Florida, which I considered my pre-retirement.  Now I have retired and I write full time.  I feel that my books will be part of my legacy.  I’m clear on my purpose for writing.

ARE STORIES JUST BURSTING TO COME OUT OF YOUR HEAD?

Some people are what I call natural-born writers.  They do have stories bursting out of their hearts and heads.  Often, these people fell in love with reading as children.  Reading was an adventure.  It took them up, up and away.  Some people have always had a desire to author their own stories.  If this sounds like you, you are a natural-born author.

This is usually a sign that you have been given the gift of authoring.  These gifts are Heaven-sent, and predate schooling and other influences in your life.  If this is the case, embracing your fate is probably the next best step to take.

Words-You-Are-Your-Legacy

DO YOU WANT TO WRITE AS PART OF YOUR LEGACY?

There are trades and arts that seem to fall by the wayside in each generation.  But often, how to do certain things is lost to history.  Do you know how to do something that you feel you need to leave behind?  Do you want to write about how you did something that is now fading from the world?

There are young people who don’t know how to write a check anymore.  They don’t know how to address an envelope for the mail.  Some don’t even read cursive writing anymore.

Listening to a lecture by the learned intellectual and researcher Thomas Sowell, he stated that when Rome fell, the western world lost the art of making bricks.  Then when the western world got back on its feet, they had to import brings from England because the art of making bricks died with the civilization.  Cement was invented in Rome.  They made all of those brick arches — but the art was lost.  What is it that you know how to do that you feel compelled to record for prosperity’s sake?

I’m old enough to remember ‘phone guys’ that worked for Bell South or whatever the phone company was called back then.  These men — they didn’t have phone women back then — would show up with big toolbelts and gaffs or lineworker boots on.  These boots had cleats or little metal spikes in them that was a safety feature.  These men know everything about the phone system.  They would climb the wooden telephone poles and they could fix phones outside on the pole or inside in the houses.  They were familiar with the entire system.   That is one group of technical workers that have fallen away.

Is there something about an art form or a job that you knew that you want to pass on for prosperity sake?  You can write a novel around it and it will serve two purposes:  It will be a way for you to tell the story of your industry or job and you will be documenting how life was at a certain time in history.

DO YOU HAVE A BURNING DESIRE TO SHARE A UNIQUE EXPERIENCE?

Author signing autograph in own book at wooden table on white planks backgroundVery often life dishes out some hard times to some of us.  Did you experience, survive and prosper through some difficult times that you feel compelled to write a memoir about?  You don’t have to have been a famous celebrity or someone with a Moses-like mission.  You may have fell on hard times and you want to share your experience, strength or faith that kept you going.  People love inspirational stories.

Writing a memoir can also be part of your legacy.  Someone three generations down the road may be curious about how the family was back in your times.  By having a published memoir, you can share your perspective on things during the times you lived.

Today people no longer write letters.  Most photos live on phones that may be lost or stolen.  Even photos in the cloud could easily be lost to history without the right username and password.  By writing a memoir, you may be someone who is documenting the present in a way that historians in the future may be very grateful for.

SO WHY DO YOU WANT TO WRITE A BOOK?

What do you think?  Do any of these reasons resonate with you?  Make your first writing assignment to list the reason or reasons why you choose to write.

Here is a video where I had a few more words to say about finding your reason to write!

Book Launch – Links for Marketing Stacking – 2023

When I self-published my first novel, I finished it and uploaded it and waited.  That’s when I learned how important marketing the book is.  I also learned through the next several books how important it is to take advantage of each tiny phase of a book launch for marketing.  That’s what this blog post is about.

I have made a checklist for beginners so you can print it out and have it with you when it’s time to launch your first book, or a subsequent book.  I believe it will be very helpful to you.

THE VIDEO ABOUT THE BOOK LAUNCH CHECKLIST:

Aside from the checklist, I have made a strategy video where I go over the checklist and give you an overview of how the launch happens, what is involved and how to set yourself up for the best outcome.  I consider a good outcome to be a smooth and timely launch, and within a week to 10 days, you have at least four to ten nice reviews.  It sounds easy, but for new authors, it’s not — But it is possible.

https://youtu.be/0n0FaaaBysY

NEWSLETTER PROMOTIONS:

The following websites are ones where you build a email list and your books will be featured on these websites.  Bookfunnel and Siteorigin both offer “author swaps” where you can swap your featured book with another author who has a sizable list.

I’m not a seasoned marketer and don’t even consider myself that good at it, and even I was able to build an email list of 5,076 emails within a two year period.  To me, this is amazing!

Bookfunnel.com
Siteoriginapp.com
Instafreebies.com

AMAZON MARKETING STRATEGIES:

Amazon ads is a very complicated program to learn.  I only touched on the ad strategy in this checklist video.  There will be more Amazon ad videos coming in the future.

Below I have left a list of book marketing websites that as a beginner I used.  Now that I have built a newsletter, have a website, and post regularly to social media. I rely mostly on purchased ads with FreeBooksy, BargainBooksy, FussyLibrarian and purchased Amazon Ads.  But you may find the following links helpful so I’ll leave them for you to try out.

ADDITIONAL MARKETING WEBSITES

Writers Research – Bullets Shot Through a Silencer

SHARING WRITERS RESEARCH FROM MY LAST POLICE PROCEDURAL – GUN SILENCER

WHAT IS A GUN SILENCER?

gun-silencerA gun silencer, also known as a suppressor, is a muzzle device that reduces the sound of a gunshot. It does this by slowing down and cooling the expanding gases that are released from the barrel when the gun is fired. Silencers do not completely silence a gunshot, but they can reduce the sound level by 20 to 30 decibels. This can make a significant difference in the loudness of the gunshot, making it much less noticeable to people nearby.

Silencers are legal to own and use in most countries, but there are some restrictions. In the United States, for example, silencers are regulated by the National Firearms Act (NFA). This means that you need to obtain a special permit to own a silencer.

COPS AND DETECTIVES USE BALLISTIC REPORTS

cop examining ballistic reportA ballistic report is a record of the characteristics of a bullet, such as its caliber, weight, and velocity. Ballistic reports are used by law enforcement to identify the type of gun that was used in a crime. They can also be used to determine the range from which a shot was fired.

Ballistic reports are created by firing a bullet into a calibrated target. The target is then measured to determine the bullet’s caliber, weight, and velocity. The results of these measurements are then recorded in a ballistic report.

TERMINOLOGY USED BY POLICE OFFICERS AND DETECTIVES:

cop examining ballistic reportHere are some of the terms that are commonly used in the field of gun silencers and ballistics:

  • Muzzle blast: The sound and flash that is created when a gun is fired.
  • Muzzle velocity: The speed of the bullet as it leaves the barrel of the gun.
  • Suppressor efficiency: The percentage of sound that is reduced by a silencer.
  • Ballistic coefficient: A measure of the ability of a bullet to resist wind resistance.
  • Trajectory: The path that a bullet takes through the air.
  • Effective range: The maximum distance at which a bullet can still be effective.

HOW DOES A SILENCER WORK?

how a silencer worksA silencer can leave markings on a bullet. These markings are called “tool marks” and they are caused by the rough interior surface of the silencer rubbing against the bullet as it passes through. The tool marks can be microscopic or macroscopic, depending on the type of silencer and the type of bullet.

The markings left by a silencer can vary depending on the type of silencer and the type of bullet.

The markings can be faint or difficult to see, so it is important for ballistics experts to have experience in examining silencer-fired bullets.

The markings left by a silencer are not always unique, so it is possible for two different silencers to leave the same markings.

Overall, the markings left by a silencer can be a valuable tool for ballistics experts. However, it is important to remember that these markings are not always conclusive and that other factors, such as the condition of the gun and the bullet, can also affect the markings.

HOW DO BALLISTICS EXPERTS AND REPORTS WORK?

Detective through a magnifying glass looking at a evidenceBallistics experts can use these tool marks to identify the silencer that was used in a shooting. They can also use the tool marks to determine the distance from which the shot was fired.

In addition to tool marks, silencers can also leave other markings on bullets. These markings can include:

  • Rifling marks: If the bullet was fired from a rifled gun, the silencer can leave rifling marks on the bullet. These marks are caused by the grooves in the barrel of the gun.
  • Gas pitting: The gas that escapes from the silencer can pit the surface of the bullet. This pitting can be seen under a microscope.
    Lead fouling: The lead from the bullet can foul the interior of the silencer. This fouling can also be seen under a microscope.
  • Ballistics experts can use all of this information to determine if a bullet was fired through a silencer and, if so, what type of silencer was used. This information can be very helpful in solving crimes.
  • Here are some additional things to keep in mind:

Peek Behind the Novel – Level 5

WHERE WE LEFT OFF:

The last Peek Behind the Novel video may have been a tips video.  So I’ll just jog everyone’s memory here.  In Layer 4, that is the ‘down-and-dirty’ first draft.  That’s where, using my scene outlines, I write the scenes.  I just keep going.  I don’t check anything.

WHAT WAS UNIQUE ABOUT THIS NOVEL:

Four-story timelinesAlthough I follow a detailed outline of the story before I even start writing, each novel presents its own issues and/or problems.  In this novel, I had several timelines I had to keep straight.

There is a crime timeline.  Then there is the story timeline, where all the clues are dropped into the story.  The characters had a night-out and that had its own timeline.  Plus the subplot has a timeline.

Because I had to concentrate on keeping all of these timelines straight, I only sketched in the subplot.  That means that in Layer 5, I will also be writing my subplot into the story.  I can concentrate on the timeline for the subplot by itself.

Scrivener-Guidepost-subplot-availability

However, I did leave guideposts in Scrivener for myself to make laying in the subplot easier for myself.  As shown above, I write in a guidepost where I have free time for a scene from the subplot.  I also highlight it so it’s easier to find.  Without these guideposts, I would have to pick through the whole novel looking for places to fit in the subplot scenes.

Scrivener-Guidepost-timeline-reminder

Another guidepost I left for myself is to highlight a timing that is involved in the subplot.  By keeping this highlighted, it’s a constant reminder that this timing may have to change as I write the entire subplot.  This too prevents me from having to search and find or nitpick through the entire novel.

WHAT I DO IN WRITING LAYER 5:

Normally, Layer 5 is where I write in all of the descriptions; descriptions of the characters and the locations.  I fix any glaring errors that pop out at me, but I make sure I don’t get lost in any type of real proofreading.

Scrivener-Screenshot-of-SynopsisThe second thing I do in Layer 5 is to fill out the Synopsis section.  This section is in the upper right-hand side of the Scrivener platform.

I use only a few words to indicate what happened in this scene, especially what clues have been dropped.  I don’t use anything longer than a short sentence.  The purpose for this is so that once I am finished writing Level 5, I can look at the entire story in Outline View.  I have a snapshot of the Outline View below.

Scrivener-OutlineViewExample

Once I have all of the scenes in and I have the synopsis filled out, I can view the novel from a bird’s eye view again.  This will let me know where the book is “sagging” or where I don’t have enough going on.

I can see the weight of the story in this viewport.  I can see the interactions of all of the characters.

LAYING IN THE ENTIRE SUBPLOT:

Now, because I had to kind of abandon the full subplot in Layer 4, I will be finishing the subplot while I’m doing the descriptions and the synopsis box.  Once I’m done with this layer, then I’ll be back to discuss what happens in Layer 6!

Benefits of Writing Fiction in Layers:

1. Manage creative energy.
2. Keep the entire novel project manageable
3. Writing in layers leads to several layers of accomplishment
4. A story written in layers is a richer and deeper story.

Tips on Writing in Layers:

1. Name each layer and know your specific mission. This leads to a
feeling of completion and also a feeling of accomplishment several times during the entire project.
2. Learn the difference between creative energy and drudgery energy.
3.  By breaking the writing process down into layers, it is less taxing on your memory.

YOU CAN SEE A VIDEO OF THIS MATERIAL BELOW:

 

Eight Tips to Keep on Track During the First Draft of a Novel Manuscript

ONE:  Turn Off Smart Quotes and Sentence Case Correction.

Smart-quotes-straight-quotesTurn these Scrivener features off, especially if you plan to move your finished novel draft into Microsoft Word for final formatting.   Because I self-publish and I need to upload in ePub and PDF manuscript, I use Word for a final proofread and formatting.   I find Word is the best choice for me.  The smart quotes do not translate well between Scrivener and Word.  If you turn off the smart quotes, Scrivener will replace them with straight quotes and these translate better.

There is really no upside to using smart quotes in a novel.  This is not a feature that will prevent you from leaving out a quote.  It’s really useless for an author, so its best to shut this feature off.

The sentence case correction will not allow you to add a lower case letter after a period.  This doesn’t seem like it would be a problem, but at least once during a first or follow-up draft there’s a time when this auto correct starts wrestling with me when I’m trying to do something.  So I shut it off now at the beginning.

If you search “auto correct” in the Scrivener help bar, you will be able to open up this feature and uncheck these two items.  You’ll thank me for it later.

Also, there is a whole layer of proofreading that I’ll be making a blog post about in my Peek Behind the Novel series where I will show you how I use the find feature to check on every single quote mark.  I’ve always had at least one or two that almost got away!  So the smart quotes are nothing but a nuisance.

TWO:  JUST KEEP WRITING – DON’T LOOK BACK:

typing-hands-gifI’m writing my fourth novel in the Jack Nolan Detective Series.  The book is still unnamed.  This is Level 4 in my Eight Levels of Writing a Novel series.  This first draft is down and dirty.  It is the hardest lift of the entire project.  At least for me, the first draft is the hardest.  The characters all seem like stick figures.  I find them unlikeable — even if I liked them in the last book!  Any humor doesn’t seem to work.  Everything just seems awkward.  I have to literally force myself to keep typing.   So this tip is to just keep writing.  Don’t check on any spellings or grammar.  Don’t even look back.  Just keep going until you have the crime down, the main plotline down and the subplots at least in place.  That will complete the first down-and-dirty draft.  Every other layer will be easy compared to this one.

THREE:  YOU CAN DO RESEARCH NOW ON THE FLY

do research on the fly with bardWith bard.google.com, now it’s possible to do research on the fly when writing fiction.  Simply open a browser window, type in bard.google.com and start asking it questions.

Unlike ChatGPT, Bard is a Google AI product supposedly still in beta form, but it works like a charm.  Unlike ChatGPT, it can research using the internet.  ChatGPT is limited by time; the cutoff for ChatGPT the last time I checked was sometime in September of 2021 I believe.  The cut off of what it  can access is now way over a year ago.  So I find that Bard is a better option for book research so you can get the latest.

FOUR:  USE THE SCRIVENER HIGHLIGHTER AS A REMINDER:

scrivener-highlighterScrivener allows you to highlight text in any color you want.  I use this highlighter in the Level 4 Draft to make a mental note to myself to check on things.  For example:  If I say that someone is coming home from a hospital in four days, I highlight this.  This makes sure that this lines up with the plotline, or the crime line, or the subplot lines.

As an author, I will often tweak the script, especially as I’m writing.  It’s too easy to forget this early reference to five days.  By highlighting it, it’s a reminder that this timing needs to line up with something later on in the story.  I find this highlighter a great author tool.

FIVE:  LEAVE THE POV | TIME | LOCATION HEADERS IN THE DRAFT:

scene templateLike I mentioned earlier, I’m in the first draft of my novel and each scene begins with the same Scene Template as seen to the left.

I leave the POV, which stands for Point of View at the top of each scene during the first draft.  I don’t choose the POV before I write the scene.  I write the scene and see which character claims the scene.  Then I assign that one character to the scene.

POINT OF VIEW:  By keeping the POV at the top of the scene, it’s a reminder to me to make sure the entire scene is in this one point of view.  I admit that I allow myself one small head jump at the end of a scene.  I’m a self-published author, so I can indulge myself and get away with this.  I believe a reader can handle one head jump at the end of a scene for the purpose of informing them of what the other character thinks at one time.  I don’t believe one head jump creates that big of a problem.

TIME AND LOCATION:  By leaving the Time and Location information at the top of each  scene, it is a reminder to make sure I describe the scene and whoever else may need a description in that scene.  In Layer 5 of my writing system, I go through all the scenes and add descriptions of the locations and people.  So this information makes that level of writing easier.

SIX:  KEEPING TRACK OF MULTIPLE TIMELINES:

I write Christian mystery romance, private investigator mysteries and police procedurals.  By leaving the timings in the header to each scene, it allows me to keep track of the story timeline.  I am always keeping track of multiple timelines in each novel.  I have the crime timeline.  Then there is the timeline of the investigation and the dropping of the clues.  And the subplots also have a timeline as each book has at least a small character arc.  This is because I write in series and the characters have one small character arc in each novel.

So that’s a minimum of three timelines that I need to track.  So keeping these timelines at the top of the scenes as I go from layer to layer of writing, it makes it easier to make sure things are lining up on each timeline.

I keep these headers inside the manuscript draft until I’m ready to put the book into chapters.

SEVEN:  ADDING ADDITIONAL SCENES WHEN WRITING THE FIRST DRAFT:

There comes a time or two when I will decide to add a short scene or two.  It may just be to have a change in the point of view or to get the characters to a different location.  Whatever, it is, I use three asterisks between these two separate scenes.  I also start the second scene with my normal Scene Template.

This allows me to know this is a separate scene and it will have a point of view.  It also alerts me that I will need to insert a scene ending which I won’t do until I bring the manuscript into Microsoft Word.

EIGHT:  USE SCRIVENER SYNOPSIS SECTION TO KEEP TRACK OF CLUES DROPPED:

Scrivener-Synopsis-SectionWhen writing the first draft, I use the Scrivener Synopsis section in the Inspector Pane to list the clues I have dropped in that scene.  Once I’ve finished the first draft, I can open the project in Outline View and this will give me a bird’s eye view and chronology of the clues that have been dropped.

Personally, I often also add background information that I dropped in the scene.  I do this only because I have a tendency to forget whether I dropped that background information in the present novel or if my memory of dropping it is from the last novel I wrote!

This alone is a major reason why I love writing drafts in Scrivener.

CONCLUSION:

So these are the tips I would pass on about writing this first draft of a novel.  Knowing that it’s the hardest allows me to know that once I make it through this first draft, all subsequent layers of writing will be easy peasy compared to this one.

All I need to do is to blurt out the entire story in the first draft.  All corrections, additions, deletes and polish will come in later layers.

The Top 10 Obstacles to Finishing a Novel

PEEK BEHIND THE NOVEL

I’m in the weeds!

scrivener-peek-behind-the-novelI am knee-deep in Level 4 of writing the next book in the Jack Nolan Detective Series.  I thought this would be a good time for me to take a break and reflect on what happens when I’m ‘in the weeds’ writing a novel.

Even though all writers have a different writing routine, I would venture a guess that most of us feel some of the same fears and face some of the same obstacles.

STARTING A NOVEL IS EASY:

DP-drawing-woman-and-computerWhen you first sit down to write a novel, everyone is filled with enthusiasm and creative energy.  It’s exciting.  It’s new.  But as the manuscript begins to grow, before it feels finished — or even ready to be polished, it feels cumbersome, heavy, and overwhelming.  At least for me it does.

FEAR OF FAILURE:

Even though the story and plotline felt great at the beginning, there comes a point where a fear of failure sets in.  Am I going to be able to finish this?  Does this plotline even make sense?  What happens if this storyline is not that great?  Maybe this mystery isn’t enough.  Maybe the dots are not going to all connect.

It’s possible to get paralyzed by a fear of failure at any point during the writing of a novel.  It’s not a one-and-done operation.  No one sits down, starts writing, finishes writing and ta-da, there’s a book.   Writing a novel doesn’t work that way.  It’s a long process.  It’s a multi-layer process.

When these fears pop up, and they will, it’s important to remember that many writers feel these doubts and fears.  It’s important to remember that everyone of us fails at something at some point in our lives.  The good news is any novel can be redone, re-written, revamped, added to, or massaged in any number to go from mediocre to great.  It’s a work of art in progress until it’s handed over to the publisher.  Knowing this is empowering.

WRITERS BLOCK:

DP-writers-block-womanWriters block is another common problem among authors.  This often sets in after that initial period of excitement about the novel wears off.  At some point the writing of the novel shifts into a project requiring some heavy lifting.  There’s always a phase or two where the author has to tough it out.  We have to keep at it.

It’s important to know ahead of time that writer’s block may set in at any time while you’re writing.  I find that deciding to just sit down and go over what I’ve written ‘to get my place’ or to ‘get into the flow of it’ is enough to get over any writer’s block.  Just by sitting down and starting to read through it, the project recaptures me.  Even on days I feel I have nothing in me, I can suddenly be pulled into writing before I even know it’s happening.  If you can commit to look at your project for fifteen minutes, this can be enough to recapture your enthusiasm.

LACK OF TIME:

Many wannabe authors have busy lives and don’t have a lot of time to devote to writing.  There are certain years — especially in a parents’ lives –where raising kids is more than a full-time job.  But where there is a will, there is a way.

There are ways to steal away an hour or two in any given day.  It does, however, always require some level of planning.  Don’t be afraid to plan writing time into your day and give it a higher priority than ‘the back burner’.   Even if you are a parent or a caretaker, pursuing your own dreams is important.  It keeps you engaged in life.  It makes you a better parent.  It can even make you a better day worker.  Think of your writing as your own personal mission in life.

PERFECTIONISM:

Perfectionism can be another stumbling block for authors.  Everyone wants to write a masterpiece.  But at some point, you need to also know that nothing in life is perfect.  Don’t let your ideas of perfect get all wired into your ideas of excellence.  They are two different things..  If you looked close enough, you could find a few imperfect brush strokes in the Mona Lisa.  If you read Harry Potter enough times, you may catch a plot hole or two.  It’s important to know the difference between excellence and perfection.  One is doable and one is not doable by human beings.

FEAR OF REJECTION:

tension in story graphicWill my readers like the book?  Will the book be good enough to get a literary agent?  What happens if my book gets bad reviews?  There are any number of fears of rejection that can cause us to stop writing.  Decide ahead of time you won’t allow these fears to stop you.  Like I said earlier, think of your writing as a mission God has given you.   This is your life’s work, along with your other worldly responsibilities.  Your writing could be an opportunity to pass on things you have come to learn in your life.  That’s a purpose.  Or maybe writing is a way for you to share the gift of storytelling that you know you were born with.  That’s a God-given purpose.  Whatever the reason, it’s important to not allow fear of rejection to get in the way.

SELF-DOUBT:

Self-doubt is a tool of the devil.  It’s easy for any human to start thinking they aren’t perfect, so maybe they aren’t good enough to pull off writing a novel.  And the reason I call it a tool of the devil is because it can start with just a tiny little insignificant thought of self-doubt.  But it can snowball and get bigger and bigger and bigger.

During these times when I feel self-doubt, I think of my writing as therapeutic for myself.  It’s something I’m doing for me, not for anyone else.  Any fear of rejection that occurs, thinking I’m doing it for myself, it takes away any sting self-doubt may have.  It removes any power it has over me.  It turns the tables on this.

DISTRACTIONS:

woman-multitasking-distractionsDistractions are one of the biggest obstacles to completing a novel.  One reason is because life does serve up constant small and big emergencies that have to take first priorities in our lives.  So an emergency distraction can throw a whole well-planned writing schedule up into the air in a heartbeat.

One of the weapons against distractions is get clear on what a real emergency is verses a situation that can take its place in your daily routine.  You don’t always have to sacrifice your writing time just because someone else doesn’t have to wait or suffer a small inconvenience.  Always ask yourself whether you have the right to protect your free time or whether you are dealing with a true emergency, a situation that requires you to replan in that moment.

Parents with kids can fall into a trap of giving up all their free time based on a constant stream of kid demands.  Giving in to every child whim is not the definition of a good parent.  Protecting your free time and expecting your child to work within your schedule is not bad parenting.  It’s the sign of someone who is good at balancing their lives.

I learned a long time ago that I have to protect my free time as there are armies of people in the world who would harness me as a free resource in their lives.  They would demand and expect that I do all the things they don’t want to do if I allowed it.  We’re responsible to set our own boundaries with people, and that includes kids.

RESEARCH:

too-much-researchMost novels require at least some research.   The internet can be a blessing with research but it can also be a curse.  It’s a blessing because the days of having to travel to a public library are over.  It can be a curse because the research can suck you in and you can use up all your valuable writing time doing too much research.

The tip I would pass on to any new writer would be to not do the research until you have already laid down your plotline.  This will avoid research for things that wind up on the editing floor, so to speak.  Subjects or issues you you think may come up in the story may get cut as you firm up a plotline to fit within the space of a novel.  There’s nothing more frustrating than looking back and seeing hours and hours of wasted research time.

Too much research can also lead to another problem and that is ‘information dumping’.  That means that many authors can’t resist the opportunity to write into the story things they learned from their research that are not really relevant to the plotline.  This may be fascinating to us as authors but it’s boring to readers if it doesn’t move the story line along.

EDITING THE BOOK TO DEATH:

editing-a-novel-to-deathAnother trap to finishing a novel is to get caught up in a never-ending edit of the book.  This usually hooks in with perfectionism problem in some way.

I break up my editing into stages so that each time I go through the book, I focus on only one thing.  For example:  The first edit is to check to make sure I have put my descriptions of locations and people in.  The second time I go through it, I look at sentence structure and make sure the chapters flow without any time gaps.  The third time I pass through, I look for verb tenses.  The next level is looking for the words I like to use too much like okay and just.

By having a solo focus, it prevents you as the author from getting caught in changing everything all at once.  This prevents you from being able to focus on anything.

THE PSYCHOLOGICAL TRAP OF FINISHING THE NOVEL:

finishing-a-novelOnce you complete a novel, there is a little sadness that sets in.  This book is no longer your baby.  It’s no longer your little pet project.  Once you hand it off to an editor, it becomes a shared work, so to speak.

Very often, authors who have abandonment issues or fears of depression, they don’t like to end anything and that includes writing a book.  When I hear people saying they took seven or ten years to finish a book, I’m astounded at what could have taken them so long.  They kept the book as their little baby for an entire childhood.

My Peek Behind the Novel series is about writing in layers.  I feel that writing in layers is a way filled with techniques that keep me writing, keep me on track, keep me on schedule, and allow me to complete the novel, no matter how much research it requires.

These are just a few of the obstacles that we, as writers, face when undertaking the writing and completion of a novel.  If your goal is to write a novel, don’t give up on your dream.  Keep writing, keep pushing yourself, and eventually you will complete your novel.

WRITERS DIARY – Writing a Novel – First Draft Doubts

THERE ARE ALWAYS FIRST DRAFT DOUBTS:

self-doubts-pictureI’m assuming all writers have doubts as they are writing the first draft.  I know I do.  Something happens between the feeling of knowing I have a good plotline and writing out the first draft.

After analyzing it for a while, I believe what happens is that I cannot ‘envision’ the whole story coming together as I am just blurting out the first half of the first draft.

When writing a first draft, I’m in the nitty gritty now.  It’s no longer ‘thinking about the plotline’.  I’m now committing it to paper.  A feeling of insecurity arises as I realize that I’m halfway through my scenes and I don’t get a feeling of any suspense or mystery.   It has absolutely no personality yet.  It’s dry.  The characters are a bit like sticks yet.

THIS IS WHY I START WITH FOUR DIFFERENT PLOTLINES:

Battling against these doubts is one reason I started working on four separate plotlines before choosing the best one.  This way, I know I picked the best of four before I even started.

Then I remind myself that a first draft has no details.   I’m really more or less linking the scenes where the biggest clues are dropped to one another.  In the book I’m writing now, I’m even skipping over most of the subplots until I can get a read on how much “space” I’ll have to write them.

What does that mean?  It means that as a newer author, I can’t go over 80,000 to 100,000 words.  So I try to create a first draft with about 45,000 to 60,000.  This way, I have room to beef up my subplots, add the descriptions and any theme commentary, etc.

THE DOUBTS ARE MORE ABOUT LACK OF VISION:

The doubts seem to be a combination of an inability to see the final novel and being halfway through the first layer of a first draft.  It’s hard not to feel that this story is not “good enough”.  It’s not good enough.  It’s not meant to be good enough.  A good enough story needs 8 or 9 layers of writing.

JUST KEEP WRITING:

just keep writingSo the antidote to self-doubt is to keep writing.  Trust your plotline.  Know too that you can always add clues, rearrange some scenes, add a bit more intrigue into your subplots.  Eight layers of writing leaves a lot of room for beefing up a story, deepening a story and polishing a story.

REMIND MYSELF THAT THIS IS ONLY LAYER 3 OF A 7 TO 8 LAYER PROCESS:

I also remind myself that a first draft just has to be gotten through.  It’s the hardest layer to write because you are writing on faith alone really.  You are trusting yourself as a storyteller.

 

Peek Behind the Novel – Writing Scene Outlines

WHERE WE ARE BEGINNING IN THIS BLOG POST:

I left off writing about how I divide the crime skeleton, after adding in the subplots, into the Four-Part Structure.  I am now entering the third layer of writing.  This blog post and video below are about sketching in the plot outlines.

WHERE WE ARE GOING:

Most new writers want to get to the writing already.  But in this layer of writing, all plot holes or inconsistencies will show up.  Any clues that won’t work when adding more suspects and motivations will show up in this layer.

So this layer is like an insurance policy that you won’t be writing for the trash can.

USING THE SHORT TEMPLATE:

My template is short but it keeps me on track.  I’ll break it down below.  This small template I use keeps my writing on point and tight.  It prevents me from meandering, dawdling, going off on an irrelevant tangent or writing myself into a corner.

POINT OF VIEW

In order to prevent head-hopping, which is very common among new writers, you need to be constantly reminded that each scene is in one perspective.  Some writers write in first person and that’s easy.

However, I write in third person – one persons perspective.  This prevents the reader hopping from head to head.  It’s too confusing for a reader to do that.

However, I don’t choose my point of view this early on in the process.  I wait until I am actually writing the scene before I choose.  In my experience, as you write the scene, the first draft, one character will sort of ‘claim the scene as their own’.  That’s when I choose the point of view and then make sure the entire scene is in that persons perspective.

Now, I must confess, since I write in third person narrator style, I do allow myself one tiny head-hop at the end of a scene if I think it serves the plot well.  I think any reader can handle one tiny head hop.

I’m a self-published author at this time, and one of the benefits of self-publishing is you can do what you want.  The professional publishers may be horrified by allowing one head hop at the end of a scene, but as a self-publisher, I can do what I want.  (Hee hee)

KEEPING TRACK OF TIME

I don’t know whether I am an author who is obsessed with time, or whether I use time as an element to put pressure to solve on my characters, but I have always tracked time.  I find this helps me balance the story and make the story more realistic.

What I mean by that is often times there is so much that is happening in a book on one particular day, that it becomes unrealistic that all of this could happen in one day.  Maybe it’s just me.

Keeping track of time allows me to also know when the workday is over and the subplots can enter the scene as most subplots happen at least in part in a character’s off time.

CHOOSING A SCENE LOCATION:

Location is important for two reasons.  One reason is casts the scene in cement.  You have chosen a stage for the scene to take place.  I don’t write any scene or location descriptions in this layer of writing.  But I can write the action of the scene in context of a location.

Secondly, adding the location in this layer allow me to go off and find photographs that I can use in the layers down the road where I will add descriptions into the story.

PURPOSE – MOVEING THE STORY ALONG

Every experienced author who I listened to when I was first writing fiction said the same thing:  Everything in the manuscript is there to move the story along.  If it doesn’t move the story, it doesn’t belong there.    So this Purpose in my template helps me keep my writing tight and on point.

CLUES – KEEP TRACK OF CLUES

vector magnifying glass

This one is self-evident.  A crime novel, murder mystery or police procedural is about solving a crime or mystery.  So uncovering clues, following them to the next clue is the vehicle for the story.  So it’s important to keep track of clues.

In the first stage of writing, it’s easy to remember if you put clues into the story.  In the first draft, it’s easy to rely on your memory.  But after you’ve read through the story a bit and begin to add more to it, you won’t be able to remember whether you saw that clue in the last chapter or the last time you read through the entire layer.

So it’s important to keep track of clues.

DIVIDING AND CONQUERING THE MANUSCRIPT:

By dividing the story into four parts, and then writing scene outlines, you can divide a huge manuscript down into bite-size pieces.  It is less overwhelming and easier to organize, write and keep track of.

HOW SCENE OUTLINING WORKS IN SCRIVENER:

You can watch the video below for a full explanation, but each scene begins with the template.  I leave the POV blank for now.  I choose the time and location.  And then under Purpose/Clues, I add everything I want to happen in this scene.  I am thinking about the main plot, the dripping of background info, the dripping of clues, and the subplots.

I use numbers but using bullet points would probably be best as I have to change the numbers a lot.  Although when I show you the rest of my technique, you will see that the number themselves don’t matter.

ABOUT THE VIDEO:

In this video, I talk about and lay out how to use a simple template and write the individual scene outlines. By sketching in the individual novel scenes, I can be sure that the clues and mystery scenarios will all work before I waste any time writing any scenes. I go into my strategy and work flow in this video and the benefits of outlining the scenes first. Once you have a scene outline, the actual writing of the scenes becomes only creative and fun.

Time Stamps of this video:
00:01 – Laying out the plotline into scenes
00:58 – The benefits of writing scene outlines
02:46 – The scene template
03:03 – Summary of the process up to this point. Showing a scrolling outline.
04:22 – The template in action – an example of how the template works 04:45 – Point of View
05:26 – Keeping track of time in the manuscript
06:26 – The importance of Locations
07:10 – Purpose – Moving the story along
08:20 – Keeping track of clues
09:20 – Dividing and conquering the manuscript
10:05 – Live in Scrivener with present novel – How the scene outlines work. 11:45 – Sneak Peek of the Synopsis
12:05 – Looking at Scrivener Binders a new one vs. a fully written book
13:13 – Knowing the story through the outline

A Peek Behind the Novel Series – Writing in Layers – Chronology of a Crime

WHERE WE LEFT OFF:

In the first installment of the Peek Behind the Novel Series, I wrote about working four different plotlines before choosing one.  By working on four of them, it helps me ‘improve’ on some storylines and when I have four to choose from, I am able to go into the project knowing that I have chosen the best one.  It’s a technique that I use to build my author confidence.

THE FIRST LAYER OF WRITING A NOVEL – THE CHRONOLOGY OF A CRIME

In the first layer of writing, I focus only on the crime or mystery.  I make a list of the chronology of the crime.  How it happens, who it happens to, how the detectives are assigned to the case.  I focus only on the crime.  I don’t think of subplots, or dialogue or even the outcome.  Only on the crime itself, almost like a Forensic Files show.

This layer of writing is only a chronological list of the crime or mystery and how it plays out.  Mine looks like a list with small paragraphs and one line clues.  It could even look like a printout from Google maps!

DIVIDE AND CONQUER:

Once I have the chronology of the crime, I begin to break the chronology into four parts.  Nothing fancy; just Parts 1, 2, 3 and 4.  By breaking the crime up into four sections, I’m preparing it to be plugged into the ‘four-act play’ format.  I never took to the three-act play because the center section is too unstructured and it’s twice as long as the other sections.  It’s called one part, but it’s really two parts in one.  It was too asymmetrical for me.   So rather than using a three act structure, I break Act 2 into two separate parts.

PART 1 – Introduction to the Detectives and Normal Life:

In Part 1, the detectives hear about the crime or mystery and are somehow assigned to it.  That assignment is different in each case.  I start in their normal working lives and have them pulled into the crime.

This part also entails the scene of the crime and whatever clues may or may not be present.  One or maybe two suspects will arise at the scene or shortly thereafter.

Part 1 – The Inciting Incident:

In a police procedural, being assigned to the case is the inciting incident.  They are called into this crime investigation whether they want to be or not.  Part 1 will end with the inciting incident.  They have seen the scene of the crime and have gathered their first clue or clues.  They are now off on a quest to solve the crime.

Part 2 – The Investigation Begins:

murder-in-the-sanctuary-book-coverThe Jack Nolan Detective Series is about two detectives, Jack and Fiona, who have personal lives that are also in flux.  Part 2 introduces the subplots about the detectives and the early investigations they go off on.

The facts as well as clues begin to trickle into the storyline so that the reader can start trying to10 guess who committed the mystery or crime.

The end of Part 2 is the midpoint of the story, so I try to have a twist or a revelation that changes the direction of the investigation in some way.

Part 3 – The Truth Begins to Seep Out:

Early in Part 3, the last suspect will appear and the detectives will be trying to figure out who has the greater motivation.  Or which of the suspects had the time and opportunity to commit the crime.  Also in part 3, the masks on the suspects begin to fall and their secrets are exposed and a couple even are caught in a lie or two.

The end of Part 3 is the equivalent of a Dark Night of the Soul.  This is a place where maybe the detectives can’t figure out who did it, or they know but can’t find proof, or there is a chance the bag guy or girl will get away with it for one reason or another.  It is a low point.  This could also coincide with a low point in one of the detective’s personal lives.

Part 3 ends on this darker moment.  I want the reader to be worried that the detectives won’t solve it in time, or the bad guy will get away with something.

PART 4 – The Big Reveal

The beginning of Part 4 is the big reveal.  There is one clue or one revelation that confirms the guilt of whatever the real bad guy is.  This sets up a situation where the bad guy is going to get away, or the detectives have to trap him or her — however you choose to ‘solve’ the case.

The second part of Part 4 is where I as the author, very quickly, wrap up the whole crime.  I like to do this in case my readers are reading with one eye open.  People are busy today and often they may miss something.  So I like to spell it out very quickly — because I don’t want to bore the readers who were paying attention — how the crime occurred and how the evidence was there all along.

Next you wrap up the subplots and resolve and reveal anything that is hanging in the air, like the red herring, or how other suspects couldn’t have done it.  You also want to wrap up the subplots on a satisfying note.

IF YOU ARE WRITING A SERIES:

My series are four or more books, so the personal lives are written a bit like a soap opera.  The characters do have a full character arc in each novel.  They learn something in that book that I reflect on in the end, but I also drop a clue at the end of the mystery/crime that the story will continue in the next book.

I DON’T WANT TO GET AHEAD OF MYSELF:

I’ve just given you a bird’s eye view of how the book will proceed when marrying all four parts of it together.  But this first layer is only the chronology of the crime.

I also end this layer with a section I call “How it will end”.  It never ends the way I think it will, but committing to an end this early at least gives me a direction and a destination.  It’s easy enough to change the chronology when the story takes a natural turn or changes within the creative process.