WHAT EVERY AUTHOR SHOULD KNOW ABOUT HOW EACH CRIMINAL ENTERPRIZE WORKS:
Author Marketing Website
WHAT EVERY AUTHOR SHOULD KNOW ABOUT HOW EACH CRIMINAL ENTERPRIZE WORKS:
I write novels in series and like there to be a personal subplot that takes place over each book, but another longer arc that takes place over the entire book series. In order to pull this off, I need to be very organized and deliberate in how I let the character arc play out not only over time but over the book series as well.
This blog post is about my process in doing that. Now, I don’t claim this to be the only way to go about it, but it is the way I do it and it works for me. This process is not how I started out working on character arcs! I learned the hard way that it’s important to know in the very beginning how you will allow the book arc and the series arc plays out.
I know there are long multi-book series where the main character is more of an action hero and he/she doesn’t change much. Legal thrillers and the Jack Reacher book series comes to mind. This does work as Lee Childs and other successful authors can attest to. They have sold millions of copies with these stock hard-boiled characters who remain generally the same over the entire series.
I prefer there to be more character growth in each book, plus, I like there to be a series arc as well. My series are shorter than Mr. Child’s but each writer has to find their own place. I like shorter series with the main characters participating in more of a family drama and/or a romantic subplot.
Sketch out on a mind map or even a piece of paper the answer to each of the above character development questions. MC stands for Main Character and ANT stands for Antagonist. By sketching them out at the same time in the beginning stages, it will give you a strong direction for your writing right from the get go. Of course, if you have more than one main character, you will want to repeat this process for every main character.
This also allows you to see and create a conflict between the main character and the antagonist. This is particularly helpful to new writers who lean towards making all characters “too nice”. Without some level of conflict, there won’t be enough conflict or drama to move forward in the story. It will simply be an “and-then-this-happened, and-then-this-happened” kind of story.
I use a four-part plot structure, so I break my character arc into four sections. This allows me to keep up with the character development and also don’t resolve the inner conflict too early.
I find this technique also gives me solid writing boundaries and/or writing guideposts. When I’m in Part 2, I know my goal for this section is to make sure the planned character arc for Part 2 is completed before I move to part 3.
Now that I’ve written my third book series, I think in terms of multiple-book character acts. As I start out with new characters in a new series, I make sure that I have many options of where these characters can go over the entire series.
A special note to pantsers: This technique gives guideposts and boundaries, but every story or novel takes on a creative life of it’s own. I find by having the character arc written down and sectioned, it makes it easier to change the story as this creative process takes over. I simply look over the character arc and alter it with the new “better idea” that has come up.
I find it gives me the best of both worlds. I have a strong direction when I am writing, but flexibility and ease are built into the process itself. It’s super easy to change mid-stream by just tweaking the character arc a bit.
I hope this helps new writers!
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Pulp Fiction become popular during the depression of the 1920s and 1930s. Publishers at the time used a very cheap “pulp” paper in order to produce these short stories and magazines that cost about a quarter. Yes, twenty-five cents!
During the depression, life was difficult and people didn’t want to struggle to make sense of what authors meant by long run on sentences. They didn’t have the stomach or patience for prose. During a depression, people are lucky they can concentrate at all. They wanted escape and the publishers gave it to them in the form of pulp fiction.
Pulp magazines were filled with adventurous stories with hard-boiled detectives, larger-than-life heroes, space travelers. There was no subtlety. It was all straight-talking dialogue. The plots were fantastical and melodramatic, but easy to follow and easy to read.
In the late 1800s and early 1900s, classical literature was popular. I would even refer to it as high-brow fiction. Oscar Wilde, H G Wells, Jack London, Upton Sinclair, F. Scott Fitzgerald, Ernest Hemingway, William Faulkner. These authors are known not only for their storytelling ability, but their prose, their wordsmithing. This is what I consider ‘high-brow’. Their books are not read-’em and toss-’em books. They are written to read and contemplate, maybe even read again and again.
Agatha Christie was also a part of this list of popular authors at the time, but she may have influenced the pulp fiction genre more than any of the other authors. Her multi-suspect mysteries were extremely popular
Pulp fiction’s prose was everyday tough talk. There were clever phrases to read and re-read. There was no deep concepts to contemplate. It was mostly action, reaction and romance. The plots were sensational, violent and maybe strange, but they were easy to read; perfect for people who are distracted and worried.
Because most of the pulp fiction is short, it can help an author to easily see how the pulp fiction writer handled foreshadowing, passage of time, action scene descriptions, fight scenes, how much and how little back story is needed in a short story. There is much more for a new author to learn from reading pulp fiction.
When I self-published my first novel, I finished it and uploaded it and waited. That’s when I learned how important marketing the book is. I also learned through the next several books how important it is to take advantage of each tiny phase of a book launch for marketing. That’s what this blog post is about.
I have made a checklist for beginners so you can print it out and have it with you when it’s time to launch your first book, or a subsequent book. I believe it will be very helpful to you.
Aside from the checklist, I have made a strategy video where I go over the checklist and give you an overview of how the launch happens, what is involved and how to set yourself up for the best outcome. I consider a good outcome to be a smooth and timely launch, and within a week to 10 days, you have at least four to ten nice reviews. It sounds easy, but for new authors, it’s not — But it is possible.
The following websites are ones where you build a email list and your books will be featured on these websites. Bookfunnel and Siteorigin both offer “author swaps” where you can swap your featured book with another author who has a sizable list.
I’m not a seasoned marketer and don’t even consider myself that good at it, and even I was able to build an email list of 5,076 emails within a two year period. To me, this is amazing!
Bookfunnel.com
Siteoriginapp.com
Instafreebies.com
Amazon ads is a very complicated program to learn. I only touched on the ad strategy in this checklist video. There will be more Amazon ad videos coming in the future.
Below I have left a list of book marketing websites that as a beginner I used. Now that I have built a newsletter, have a website, and post regularly to social media. I rely mostly on purchased ads with FreeBooksy, BargainBooksy, FussyLibrarian and purchased Amazon Ads. But you may find the following links helpful so I’ll leave them for you to try out.
Which font should you use when self-publishing? The more choices we have, the harder it gets to choose.
I always chose Times New Roman as that was the font default in journalism, for books and newspapers for my entire life. However, since Microsoft added hundreds of fonts, I now see any number of fonts show up.
Below are the most common fonts in my opinion:
As you can see from the picture above, even fonts of the same size are heavier and lighter than each other and even the numbers are larger and smaller. My favorites are Times New Roman and Trebuchet MS.
BOOK COVER FONTS – Pretty Fonts:
When it comes to Book Cover fonts, that’s another story. You want something that is attention capturing. I have gone through all of the fonts in Microsoft Word and below I have created a large list of the ones that would be appropriate for book covers.
Often you may want to also have fonts that are heavy and bold. I again went through all the fonts and made a table with those fonts too. I also added some old fashioned and vampire-like fonts.
I remember being new and overwhelmed while planning my first book cover. There were too many choices and I was trying to find the best fonts to “fit in” with other authors. In the beginning, this was very important to me.
I hope this helps.
You can print out this page or you can screen shot and save on your computer. But if you want to download copies of these lists in one download, click below: