writing a book – Read First Chapter.com

Writing a Novel in 8 Layers – Work Flow Demonstration

HOW TO VS. WORK FLOW DEMONSTRATION:

writing a novel work flowThere are many blog posts and videos on the internet about how to write a novel.  Much of the advice is general in nature and only broad-stroke tips.  This video seeks to go one step further and open my last book, which is still being proofread in Layer 8, and show a work-flow demonstration.

WRITING TIPS AS AN APPLIED SCIENCE:

Many of the tips that I came upon when I first started writing were great but I didn't know how to apply them.  Many techniques require a second phase of 'how to apply this advice'.  This is most times missing from the how-to blogs and videos.

THIS IS THE VIDEO I WISH I HAD WHEN I STARTED WRITING:

I am not holding myself out as an authority on writing or even writing techniques.  The purpose of this video is to show one work flow that other newbie writers can see that will hopefully help them see the theories in these how-to videos and blog posts in action.  That's my purpose here.

WRITING IN 8 LAYERS:

writing-in-layers-short-listI am in the process of finishing my 14th novel.  I started out like many of you as a self-taught author who took in unorganized, uncurricularized information and had to make sense of it all.  I devised this 8 Layer system to try to write a novel as efficiently as was possible.  I offer it to you for whatever weight you wish to give it.

 

VIDEO 1 - Layers 1 to 6

In Video 1, I go into the process of coming up with a broad-stroke storyline that you know you can use as a story spine.  Presently I use FreeMind.com software; it's free and it's easy to use.  I go into a little detail about this, but I have other blog posts and videos on my YouTube Channel where I go into more depth about how I do this.

Then I go into Scrivener for Layer 2 through Layer 6.  I demonstration what happens in each layer and I try to give beginner tips in each layer to further help the newbie.

VIDEO 2 - Layers 7 & 8 - in Microsoft Word

In the second video, I go into Microsoft Word and complete Layers 7 and 8.   I believe by seeing this behind-the-scenes look at a real novel, it will encourage newbies who may be struggling with the actual work flow of writing a novel.   I hope you enjoy it.

Be sure to join my newsletter for book promotions, free books, movie reviews from a writer's perspective and some other goodies I will share along the way.



5 Mistakes I Made in Publishing My Vampire Book Series

LET ME SET THE STAGE:

This post will be about 5 Beginner Mistakes I made in Self-Publishing one of my book series and what I did about it -- which was pretty much nothing.  I'll also go into what I am going to do about it now that I learned a lot more about what went wrong.

IDEO-radarMost of these mistakes were ones that were not even on my radar at the time they were made.

Let me give you a bit of context: As I came close to retirement, I decided to write a novel or two. I chose to self-publish for many reasons that I've gone over in other videos and I won't go over now. And to this day, in spite of the mistakes I've made, I still consider self-publishing a good fit for me. (Just me)

too-much-researchWhen I first got the idea of writing a novel, I did research for about a year. I read several how to books on every subject under the title of writing a novel and self-publishing. (Cat on book shelf)

I also watched hundreds of videos on the subject. Like most people, all the information I came upon, especially in video format was great advice, but none of it was curricularized. When you self-study online, you take in just a steady stream of random information and then we're all left to sort it out ourselves. That's how free education works on the internet. (Text Panel 2: Information wasn't curricularized

So above is a list of the chronology I pieced together as being the proper chronological list of how to write and publish a book:

MISTAKE NUMBER ONE:

In this big cloud of random information I took in, I got ARC Readers and Beta Readers kind of mixed up or thought they were too closely related. But they are two different animals.

beta-reader-ideasBeta Readers often times read books very early in the process -- before the book is even finished to give early feedback. This is a great idea if you're not sure about your characters or if the plot is good enough, etc. Let's face it, in the beginning it's hard to think you're book is a masterpiece when it's your first one -- at least it was for me. There is a definite high-level purpose in having Beta Readers. They are worth their weight in gold.

IDEO-landmineHowever, here is where I made the terrible mistake and found out the hard way about this particular landmine: I offered my Vampire book Darius - A Vampire Story as a beta book but it had not been finalized, professionally edited or proofread. Now, in the ad copy for the link to download, I clearly posted it as a beta copy that had not been edited, etc. However, once a book is downloaded to an eReader, no one will remember this book is only a beta copy. And the second mistake I made here was that I didn't put anything in the book itself.

I didn't put any explanation paragraph before the First Chapter. I didn't add a watermark. I assumed my explanation about the Beta copy that invited the download was enough.

Well, when I finalized the book and released it, I got slaughtered in early reviews. I assumed as a new author that maybe it wasn't that good. However, several of the reviews referenced typos and/or grammar mistakes. When I went to the finalized copy to of course correct them -- they didn't exist.

crazy-readerThe first time this happened, I just thought the reader was a bit crazy. But after this happened several times, it was only then that I realized that I had released hundreds of beta copies that now lived on people's eReaders. And for some reason, there are a lot of readers who take typos or grammar errors personally. It seems to trigger them and their reviews are more like rants.

So poor Darius got all beat up in the early review.



MISTAKE NUMBER 2

Mistake Number 2 was what I did about this problem -- which was pretty much nothing.

I wish I could say that I recognized the gravity of the mistake right away, but I didn't. I just thought that some people had read an earlier copy and that's a shame, but what can I do about it now? I didn't realize that there were probably hundreds of these copies out there. I had no list of who I sent these early copies to.

NVS-5-Books-on-trans

Now, I also didn't realize that this series was going to go on for 5 books. So, in hindsight, what I should have done was pull the first three books and re-release them as a second edition. This is what I plan to do in January of 2025 because that's when I'll be releasing the fifth book in the series. So doing nothing about this was the second mistake.

Now I have a hard and fast rule: I never give Beta copies in download format. I now only pay for beta copies and send them in Microsoft Word format. I also include verbiage that it is a beta copy and hasn't been edited or proofread.

MISTAKE NUMBER 3:

Goodreads-as-dogGoodReads is probably the largest single pool of avid readers and book lovers out there. But goodreads can be a tough crowd for new writers. This is where Darius's bullying started. If I had to do things over again, I would not have focused on Goodreads as a first place to release my books -- even after they were fully edited and proofread. Unfortunately, many of the videos I watched during that first year, talked about how great goodreads was helpful to find beta readers and arc readers and launch a book.

To be honest, I never found any true beta readers or arc readers there. I found mostly people who like to download free books. So I would just caution newbies that GoodReads is not the only game in town and you may need some boxing experience before you enter that ring. That's all I'm going to say about that.

A SIDE NOTE ABOUT GIVEAWAYS:

Goodreads has been purchased by Amazon, I believe, and they did offer a giveaway for $119. At least that's what it was at the time I used that service as a giveaway for edited books. However, I found the reviews very harsh or even snotty at times. I had much better experience giving the books away with Freebooksy and even Fussy Librarian for less than $119. I also got better reviews using Bookfunnel and Storyorigin free book giveaways. As long as you don't put your books into Kindle Select, you can still give them away on these websites.



MISTAKE NUMBER 4:

amazon-hierarchyI didn't realize that the categories on Amazon have a hierarchy to them. It may have been because we were originally allowed to put each book into 10 categories. I had watched a video by Author Chris Fox about writing to market and he was explaining about drilling down in the categories and writing to a specific sub-category. Now, he writes sci-fi and in particular, military sci-fi.

At the time he said this, I thought writing to a specific market just to make marketing easier would be awful. It would be like pulling an assignment out of a hat and having to produce a book about it. I'm just not that type of writer. So I let that concept float away in the wind and just picked ten categories that seemed like they would be a the best fit for my books and the rest of the concept of writing to market was lost on me, at least at that time. I moved onto other things.

Over time, pretty recently, I did figure out that the categories are hierarchical and Chris Fox' advice came back to me. What he was saying was that new authors can focus on subcategories in order to dominate in those smaller categories in their to number 1 on the best seller list. In other words, you can rise to number one in a sub-sub category way faster than rising to the top ten in Romance, which is a top tier in the hierarchy.

In the video below, I do go live at Amazon and demonstrate how the categories are hierarchical and how to dig down and see which ones are available for you.

-historical-romanceSo the time to think about the categories is before you even plot out or write the book.  Once you have a plot idea, that's the time to look at the categories and think about where the book would fit, and what you can tweak about the storyline to fit into a sub category or a less competitive category?  Can you make the story happen in the west to be a Western Romance?  Can you put the story into olden times to make it a historical novel, ore even better, put it in a specific time period?  The time to think about categories is right after you have know you have a workable plotline.

In looking back, I could have tweaked a few of my books to fit them very easily into sub-sub categories without changing the storyline much.



MISTAKE NUMBER 5:

barnabus from dark shadowsMistake Number five requires a little explanation. My inspiration for my vampire series was the old Dark Shadows Soap Opera from the late '60s and early '70s. I never watched it as a kid but everyone I knew did. I didn't watch it because I had to walk too far to get home from school in time. This vampire series, like most soap operas at that time, was melodramatic and being a gothic and supernatural story, the storylines were completely crazy. But I loved the show anyway.

What I didn't realize at the time I watched it was that these crazy storylines came from real books. They just seemed crazy to me as they played out in this soap opera. In fairness to the writers of Dark Shadows, they had to produce 5 shows every week without fail.

So, with limited knowledge of the whole vampire genre, I went on to write a vampire book series. My vampire owns and operates a funeral home and keeps a bevy of 3 women to supply the blood he needs. He normally picks up runaways from the train and bus stations, but he winds up falling in love with the daughter of a wealthy, influential family in Newport Rhode Island. There is also a monastery of monks that live on the opposite side of the cemetery that Darius also owns.

No one in the area has any idea they are living next to a vampire and there are some supernatural events that start happening around the Balmont Funeral home, one of which is a mobster from New York looking for his daughter who was last seen with Darius. That's all I'll say about the plotlines.

Now, my series does follow the classic rules on vampirism with a tweak or two. However, there is also a little subtle tongue in cheek narrative in the story, which was more prevalent in the 1960s and 1970s vampire movies.

girl-with-dunce-capSo how does all this fit into mistake number 5?  Well, there's no category for tongue-in-cheek vampire stories. Also, fifty years have passed since this show ended and a lot has happened to the vampire genre in that time. First there was Anne Rice and her books and subsequent movies which are all dead serious and there's no tongue in cheek humor of any kind. I only read the first book and it was steeped in darkness and despair. Because I read for enjoyment, the level of despair was too much for me so I never read the other books.

Then there were the Twilight movies, the TV shows of True Blood and The Vampire Diaries, which were targeted to much younger people. Some of the backdrops were high school or college. And there was the rise of the vampire hunters. My book is a vampire book for adults or young adults who are not interested in high school or college anymore. But there's no amazon category for vampire books for adult. And my books also have no vampire hunters.

None of these were on my radar when I wrote the book. I thought books were judged on how well they were written and if people liked them.  I didn't know reader expectations was even a thing!

Then I came upon two videos on a channel called Tristan and the Classics  that changed that. It changed my whole trajectory and sent me on a new journey where I learned so much information that is not only helpful but I consider it crucial for newbies.

So as I realized that my books were not really fitting well in any of the vampire categories, I went on to create my own Teach Yourself Gothic Literature course based on Tristan's suggestions. This journey helped me to understand more about writing to market, and about reader expectations in particular, both are which I now feel are critical in self-publishing.

I actually took Tristan's suggestions about the self-study program one step further which I'll go into in the next blog post and video.



CONCLUSION:

So to sum things up, this is the new chronology that I will now use and suggest to beginners that this will be more helpful to you regarding what comes first and then next in writing a book:

Chronology-of-writing-book-final

And below I'll post my new hard and fast rules on Beta Copies and ARC copies:

Beta-and-arc-rules

Below is a Video I did on all of this in case you want to view it too.

WRITING EXERCISE – Analyzing a Murder Mystery TV Show

BRITISH MYSTERY SHOW WHERE EVERYONE IS A SUSPECT

I've started watching several British Midsomer Murder Mysteries during the last two weeks while I proofread my latest novel, Where is Lucia.  I love the British mysteries as they are famous for having several suspects in the story, all of whom seem guilty.  And the real murderer is always a shocking surprise.

I decided to analyze one or two of the stories to see how the script writer handled the suspects and hid clues of the real culprit.

I watched this on YouTube where it's free.  I'll have the show below where you can access it on YouTube if you want to watch it too.

MY PROCEDURE FOR THIS IN CASE ANYONE WANTS TO TAKE A SHOT AT DOING THE SAME WITH ANOTHER SHOW:

I chose a murder mystery that I had already seen.  I knew how it ended and I was then able to focus only my author mind on watching for clues, subtext and foreshadowing while I watched the show.

The name of the show I chose was DEATH AND DREAMS.  I used my cellphone and an app called "One Note".  It has a dictation feature on it. I also had a small notebook that I jotted down a few notes on so I wouldn't forget to mention in my dictation review.  I paused the show and dictated my notes.   When I opened my laptop, I copied and pasted them into this blog post and cleaned it up.

Many British script writers specialize in murders where everyone is a suspect and there are more than two or three suspects in each drama.  And the real culprit is always a surprise.

Below is the analysis I did after watching a Midsomer Murder Show on YouTube.  It's free with ads.  I'll post the video below in case you want to read my analysis and see what you think.



THE OPENING SCENE VS. THE SHOW OPENING:

This show opened with the camera walking through a common middle-income family home.  A radio was playing a call in show.  The woman speaking was referring to her kids being downstairs and probably laughing at her for calling the show.  The announcer had the usual fake enthusiastic voice talking with her.

The camera moved slowly during two minutes of this show talk and then you saw a man sitting in a chair with his head back.  His eyes were closed but it was not possible to determine if he was sleeping or dead.  The camera then showed an elaborate knotting system of fish wire that was strung around to a shotgun on the other side of the room.  Then you heard the explosion and the camera showed you a grizzly scene of a man blown down into a bloody mess against his stove.

The next scene was the usual opening of the Midsomer show, which is an introduction of very sweet music showing various scenes from English village life.  Each scene is beautiful, cottages, ducks waddling around, beautiful weather, long windy roads, lots of trees.  This opening made the last scene seem even more ghastly.

As an author, I think following up a ghastly scene with a scene of domestic life would have the same effect.

INITIAL CLUES - SUICIDE:

The next scene shows Det. Barnaby and Sgt. Troy show up and discuss what they see.  Troy draws a conclusion that it has to be suicide.  Det. Barnaby is not so sure.  He wonders why the guy didn't just go outside and shoot himself; why the elaborate fish-wire setup.

Barnaby notices a silver trophy that is present on the table.  He smells what's inside and he also sees a bottle of wine present in the kitchen.  They mention that the housekeeper is the one who found him.



INTERVIEW WITH THE HOUSEKEEPER:

The housekeeper, Mary May, confirms she found him when she showed up at 8:30.   Her affect is off, however.  This is one way the writer cast some doubt about her.  She was too contained, too reserved in her reaction with the cops.

She goes on to say that she and others may have seen this coming.  Mr. Martin Roth was a mean man.  He hadn't paid her for 4 weeks before he died.  She went on to say he owed a lot of people money.  She also said a lot of people didn't like him.  This too creates the possibility that maybe someone else wanted to murder Mr. Roth.

NOTIFICATION OF THE ESTRANGED WIFE:

Barnaby and Troy go to notify his next of kin which is his estranged wife, Sarah Roth.  She says he was a miserable drunk, gambler and cheater and also physically abused her.  She is shocked however when they say her husband killed himself.  She is now living with another guy, Gordon, who is a part time chemist/pharmacist and local musician who leads a small town marching band.  They have a small baby that she is taking care of.

The wife does show some guilt when she says she hopes it wasn't over her.  It comes out that her husband wanted her back and he kept coming over when he was drunk and shouting things at her from outside.  When Barnaby is there, he sees similar trophies to what he found at the murder scene.  Silver cups.  This casts suspicion on the wife or her new boyfriend.  Her ex made all kinds of trouble for her and her new husband who were set to be married as soon as the divorce went through.  This, of course, could be a motive as well.

Somewhere in the beginning Barnaby gets a report that Mr. Roth was on a large amount of Tenzine and this is an antidepressant but it would have rendered him incapable of pulling the trigger.  He was killed first and then blown apart.  The cops know it's murder not suicide.



THE CHEMIST FINDS OUT:

In the next scene, Mary May, the housecleaner, runs into the pharmacy and tells Gordon -- Sarah's Baby Daddy -- that she found Martin Roth shot dead.  He almost rudely escorts her out of his shop without explanation.  It makes you wonder if she is just a gossiping troublemaker.

BARNABY'S OLD COLLEAGUE FROM MERCY PARK ENTERS THE STORY:

Next we find out that Martin Roth was receiving psychological treatment at a local psych hospital that was run by his old pal, Dr. Jane Moore.  Jane runs the institution and is widowed now.  Her husband died on a climbing expedition a few months earlier.  She is now taking care of her three step children, two of whom witnessed their father's death, but they all appear to be a happy family.

Dr. Moore is referred to as a psychological profiler and she worked a case with Barnaby in the past.  He has great respect for her, but Troy resents a chumminess that exists between them -- probably because Barnaby is a married man.

Dr. Moore is shocked to hear her ex-patient killed himself.  She admits she used to go there and check in on him.  You get the impression it may have been friendship or she is just being a good doctor.

 

THE DOCTOR'S FIRST PARTY - THE ANNIVERSARY:

Dr. Moore has a party to celebrate her hospital being open for a year.  Barnaby brings his wife and Toby comes with Barnaby's daughter, I think her name is Cilly.  This is where the young resident says he would do anything for the doctor and the two daughters are standing next to him.  They roll their eyes at him and the younger one giggles at him.  They think he's a fool.

Troy still doesn't like the closeness between his boss and Dr. Moore.  He decides to leave with Cilly and he wants to go to the obstacle course at the hospital and climb the elaborate rope climbing.

Cilly sees movement in the bushes, but she dismisses it because it was only a second.  The viewers know there's someone in the bushes.  Troy tries to climb but he's a little tipsy from drinking and he falls down onto the ground and laughs.  Cilly says, I'll show you how it's done.  She climbs up with no trouble and as she comes to the top, she looks up and the young resident is dead and hanging from a hangman's rope.   Cilly tells her father the next day at lunch about seeing the bushes move and thinking someone else was there but she can't be sure.

The medical examiner says that this victim was drowned in the creek behind the climbing equipment and dead first before he was strung up.  They also found Tetrine in his pocket, the same pills that Martin Roth had taken.   It's starting to look like maybe it was the resident who was the murderer.

THE DRUM MAJORETTE OUTFIT HAS ARRIVED:

Now, in the next scene, the chemist is on the phone and he's whispering to someone that a little something has come in the mail and maybe you'd like to come and see me sometime.  You hear his baby in the background which makes him seem even more sleezy.

DR. MOORE STICKS UP FOR HER RESIDENT:

The two cops are in the hospital looking through a bunch of stuff.  Troy tells the doctor that the resident had Tetrine pills in his pocket and she replied that he probably had them to give to the patients.  Troy asked here, why did he bring them to the party.  You can tell there's a little tension between the doctor and Troy.

Then the older cop shows the doctor that there's a letter he found.  He's holding a letter about Dean Honeysette, stating that in light of his recent behavior, he recommends that all of his privileges are suspended.  Being a gardener off premises is a big privilege.  It was signed by the resident.  This makes the viewer believe that this would be a reason for Dean to kill the resident, to protect his privileges.



THE COPS TALK TO DEAN AT THE HOSPITAL:

The cops find Dean in the hospital and he's very guarded and  uncooperative -- also still pretty weird too.  And they asked him where he was last night when the resident was killed and he claims he has an alibi.  He was in the wing of the hospital and there are 4 people who saw him.  It was lights out at 9:30 and he claims he was in bed.

They ask him about his criminal record and it comes out that he was a car thief but he did resort to strangling someone then.

Dean tells the cops that he didn't kill the first guy and he said he didn't kill the second guy (the resident), but he thinks the second guy who died was weak.  He said this place needs strong people like him and Dr. Moore.  He claims that people look up to him and feel that he has been through everything and is still okay.

Dean also tells them that he told the doctor not to put the obstacle/exercise course along the river creek in the back, but the rope guy insisted that's where it should go.  He knew it was going to be trouble.

THE COPS GO SEE THE ROPE GUY:

As the cops pull up to see the Rope guy, he is acting weird and says that he loves rope, the feel of it.  He asks the cop to smell the rope and reveals it's the best rope in the world.  It's from the middle east somewhere.

He goes on to tell them that his family before him were Rope Guys.  He had a distant relative who was a hangman.  He says this with pride.  He comes off like a nutball and he could easily be the culprit.  It also comes out that Martin Roth also owed him money.  They were supposed to go into business together.  He shows the cops a stand that has a few handmade toys or some kind on it.  That was the money Roth never gave him.

THE CLOTHESLINES BEGIN TO DISAPPEAR:

Then in the next scene, with no explanation to the viewer, you see a woman taking clothing off of a clothesline, an innocent domestic scene.  She has her children in the yard with her.  After she leaves, someone off camera comes up and cuts the clothesline at both ends and takes the rope away.  No explanation.

MEET THE BABYSITTER:

The cops both go to talk to Gordon the chemist and Sarah his wife but they are out.  The Doctor's daughter, Hannah, is babysitting.  She gives him a cup of tea and they make pleasant conversation.  She tells him she's nervous about what's happening all around them in the village.  He tells her not to worry, they are on the case.  She tells him she wishes they could all move away from there and go someplace where they could all take care of their mother.  She asks Barnaby if he will be going to her mother's second event -- the second party.  I can't remember what the occasion is, but it's the second party the doctor has at her place.  Barnaby says, oh yes.  Barnaby asks Hannah if she likes the marching band music.  She says, oh, no, it's so silly with those outfits they wear.  She rolls her eyes.  She has no interest in it.



DR. MOORE'S SECOND PARTY:

They go tot he party but this one is set up like a little town bizarre or carnival.  Gordon and his band are all dressed up in their uniforms and they are playing music at the affair.

In the background, the rope guy is present and acting generally weird, but nothing relevant, just weirdo stuff, looking mean and dastardly as he was playing one of the carnival games.

Dean is also there and he is wearing his Nazi look and demeanor.  He's eating something and just pushing it into his mouth like a complete nut ball.

Mary Mays husband is a referee and he is organizing them into a tug of war.  On one side is Dean the weirdo and his bunch of other guys.  On the other side is The Rope Guy and his bunch of other guys.  As Mary's husband counts down, the guys begin to pull before he says go and they all wind up falling down.  The ref begins to scold them and Dean comes up and starts strangling him.  The cops come and wrestle them apart.

Just at that moment, Mary Mays shows up and says what's going on here?  And she reports on a terrible crime that just occurred at her house.  They go and her clothesline has been put down.  Hers and her neighbors.  She left the crime scene alone, in other words, the clothing was still on the ground.  Troy is about ready to roll his eyes when she refers to it as a crime scene.

Troy also tells Barnaby that he should arrest Dean because he's dangerous and he had the motive and means to be the killer of all of of them.  Barnaby doesn't want to act yet.  Troy thinks he is allowing his feeling for the doctor to get in the way.

THE CHEMIST GOES ON HIS SECRET RONDEVOUS:

The camera shows Gordon put son a new uniform he bought, adjusts his hat, opens the door and says, "I'm glad you were able to come".  Viewer can't see who is at the door.  Scene ends.



ANOTHER ROPE CUTTING:

Mary May's husband throws the garbage out from his business on Main Street.  He looks across the street and someone has cut the rope that was holding his English flag up and it's now laying on the ground.  He's outraged and like his wife, he considers this a serious crime and call the cops.

As Troy is dealing with Mary's husband, he looks over and sees Sarah with her baby in a carriage knocking on the pharmacy door calling out her husband's name.  Troy goes over and finds out Gordon never came home last night.

Two musicians show up to the music room for practice and knock, but no one answers.  They think it's odd, but wait.  Then they go in and see Gordon has been hung from the back of the door in the music room.  He's dead.

When Barnaby and Troy show up, they see scuffle marks and they believe that he too was killed first, and then strung up.  It's all about the rope.  His wallet and valuables were still present.  It wasn't a robbery.  They notice a package wrapping that is left on a couch.  They trace it and find out it was for a majorette's outfit.

MORE CLOTHESLINES:

There is another inexplicable scene where you see a farmer riding on his tractor.  Off to the side he sees something.  The camera shows rows and rows of clotheslines that are holding some kind of brownish muslim sacks.  There's no explanation.  In the midst of these sack is a the new Major music jacket Gordon bought for himself.  The scene ends without any real explanation.

DR. MOORE IS AGAIN HORRIFIED:

The cops go and tell Dr. Moore and she says it's horrible.  She comments that he was harmless. She can't fathom why anyone would kill him.  She tells them she has to show them something.  She brings them into the back of the hospital and all the ropes have been removed from the obstacle/exercise course.

THE COPS VISIT THE ROPE GUY AGAIN:

The two cops go to visit the rope guy and when they arrive, he is walking out of his business.  He tells them he was about to come and see them.  He shows them that he has been  cleaned out.  Every rope he owned is gone.  All of it.   He only left to get something to eat, he couldn't have been gone fore more than an hour or so.

BARNABY MEETS WITH SARAH:

Troy still thinks the killer is Dean.  Barnaby is still investigating.  He goes to see Sarah Roth, the Chemists grieving girlfriend.  She is upset about losing Gordon.  Barnaby asks her if she ever noticed the trophy missing.  She said, no, she didn't.  He asks if her husband every told her it was missing.  She said no.  Barnaby asks if maybe Hannah the babysitter could have taken it.  Sarah scoffs and says, no, she would never do anything like that.

Barnaby asks her if she knows anything about her husband getting a drum majorette's outfit.  She said, no, he didn't mention it, but she knew he wanted to get majorettes for his band, but she told him she thought the village was too conservative for that.  She wasn't alarmed at all by his behavior.  Sarah tells Barnaby that Gordon thought her ex-husband took the trophy and that could be because he was always hanging around, watching them, and starting trouble.



BARNABY CHECKS OUT THE FARM WITH ALL THE CLOTHESLINES:

Next scene is Barnaby going to talk to the farmer and there is a cricket game or some other English sport going on with the doctor's step son.  The two girls, Hannah and her younger sister are sitting on a blanket with food and tea.  They give Barnaby a tea.

The younger sister gets weird and asks Barnaby if he's ever been on a picnic with their mom.  He says no, and she says, I bet you would like to.  Her sister tells her to be quiet.  Barnaby takes it all in.  He takes the musician's coat that was hanging on the clothes line and he goes into his car.  He puts his head back and closes his eyes like he wanted to take a nap.

When he wakes up, it's dark outside.  He looks around and he sees some kind of movement over by the clotheslines.  He gets out and goes over to see what is going on.  Someone throws a rope around his  neck and begins to strangle him.

Just in the nick of time, Troy pulls up and beeps his horn.  Whoever was strangling Barnaby is thrown to the ground.  He is taken to Dr. Moore's house and given some whiskey or something to settle him down.  Her kids are all there with her.   Barnaby is nursed back into shape by Dr. Moore and her kids.

THE COPS GO LOOKING FOR DEAN:

After this, the two cops go looking for Dean. He hasn't returned to the hospital. They find all kinds of rope in his closet.  Then they go back on the grounds to another area that he used to work in.  They open up a shed and there's more rope inside there too.

Dean shows up and tells them that he saw Troy and his girlfriend in the yard that night.  He was ready to cut the doctor down, but they showed up.  (This resolves who was in the bushes when Cilly saw them moving).

He then says that he had to remove all the ropes so the killing would stop.  It was the only thing that would stop the killing.  Barnaby asks him how many are we talking about?  He doesn't answer.  He then refuses to talk.

BARNABY FIGURES IT OUT ON HIS OWN:

In the next scene, a white van pulls up and the school kids get off.  Dr. Moore's kids are on the bus.  They are then taken into custody and separated for questioning.   Barnaby starts with the older sister.

She is snotty and scoffing and basically unresponsive for awhile until she figures out they have evidence on her.  She finally comes clean and admits that they killed everyone and she ends by saying "no one will ever take our mother from us."

THEN THE REAL PSYCHO ENTERS THE SCENE:

The next scene is when the younger girl comes in for questioning.  She asks where her mother is.  There is a guardian there for her but not her mother.  At first she just looks nervous.

Barnaby asks her a few preliminary questions and she is a little more cooperative than the sister.  He asks her if she loved her dad and she said yes but goes on to admit she loves her mother more.  Barnaby asks her if her brother and sister witnessed their father's death.  She giggles and whispers to him that he didn't fall from the cliff, her brother and sister pushed him.  She giggles and giggles.  She's weirder than all three previous weirdos in the show.  The actress playing the sister had spaces between her teeth and this made her seem crazier and more psycho when she giggled.



THE LAST SCENE - BARNABY IS REALLY A GOOD HUSBAND:

In the last scene, the older cops wife pulls up in her car and she seems like she doesn't know what's going on.  She asks him why have you asked me to come here?  He tells her I may need you for this.  They stand together as a couple as Dr. Moore meets them.

The show ends by Barnaby putting his arm around Dr. Moore's shoulder and walking with her and his wife into her hospital.  He is telling her that her kids are all psychos and they were the ones who killed all the people.

The only thing that was left out of this narration, to the best of my knowledge, is that when Hannah and Barnaby were talking, it showed Hannah pulling the fish wire to fire the gun.  It also showed all three kids holding the Resident underwater to drown him.  They also showed the brother strangling Gordon while the two girls taunted him by mimicking drum majorettes.

WHAT I LEARNED AS AN AUTHOR:

I found it surprising that they had about three scenes where nothing happens except characters act mean and crazy.  Like other viewers, I didn't think twice about it as I watched the show the first time.  I just thought these guys looked guilty or crazy and could be a suspect.

Secondly I learned that there was very little if any foreshadowing about the sisters during the entire show.  Aside from their connection to the head of the hospital, there was no real connection to them until almost the end when it was time to wrap up the 1.5 hour murder show.  I didn't think anything of this when I watched the first time which means the author got away with it!

Thirdly, I learned that bookending grewsome scenes in between two sweet domestic scenes makes the horror worse somehow.  This is an important takeaway.

Fourthly, I learned that you don't always have to offer a reason right away for a character acting weirdly.  It's okay to have some scenes where something strange happens with no explanation until later on.

Next I learned that there was no mention of the absurdity of having this serial killer on the loose in a small village in England and there's no press around and people seem to just take it in their stride.  In the same way that a person agrees to suspend belief in a horror or science fiction movie, they will also suspend belief about the level of murder for the sake of a good murder mystery.

I also noted that the two sisters were not weird at all during the entire show, but in the last scene, for the sake of a little horror, the writer made the girls quite ruthless and horrible.  To me, this also relies on the reader/viewer agreeing to suspend belief for the sake of a good mystery.

WHAT DO YOU THINK?

If you would like to discuss this show, email me at rshannon at readfirstchapter dot com.