Writing a Novel – Page 7 – Read First Chapter.com

Writers Diary – Planning your Mystery Template

In my humble opinion, writing mysteries requires a bit more planning than a novel about other subjects. You have to manage character arcs, crime arcs, clue dropping, red herrings, passage of time, as well as add pressure and suspense into the mix. This is a lot for a new writer.

I found this overwhelming as I began writing back in 2018. The two biggest tips I can pass on at this point are (1) write in Scrivener as you get a bird's eye view of your project all all times and (2) you need a template or an outline of some kind to work from.

WHAT I WISH I HAD WHEN I WAS NEW:

The main reason I've started this Writer's Diary is because I had searched and searched for writer's diaries online and never found anyone who was sharing their whole novel experience. That's why I am doing this. This is another one of the things I wish I had when I was new. I still consider myself new, by the way.

MY OUTLINES WERE TOO FLEXIBLE:

In my first few novels, I would start off with a loosely-planned outline in order to give the characters space to organically develop. I had noticed within the first novel that the characters did develop their own voice and personalities. I thought this open template would give me the leeway to let the novel sort of write itself. It didn't.

In hindsight, I was too open-ended about how the story would end. The characters would take on their own voice at some point in the story but because I had this loose outline, somewhere in Part 2 or Part 3, the story would start to veer off course. As I got to Part 3, I would notice I was too far away from the ending of the story that I had planned originally. But I wouldn't have any great ideas for a better ending either. I would even forget what the original concept for an ending was. Or I would look back and realize the story had veered too far away from a logical ending of the story or solving of the crime/mystery and I would need to go back and start rewriting.

I NEED A WRITING DESTINATION:

What I found by about the sixth novel was that I can leave the beginning and middle of the outline very loose, but I need to know where I am ending the story. I need to know how the crime will be solved, who the bad guy is, and how the clues will be dropped in order to manage the suspects, the red herrings and the suspense.

So I still keep my outline loose in the beginning sections but I make sure I know where I am heading, what corner I need to lead the bad guy into in order to wrap up the story. This gives me more security while I'm writing. It also helps me stay on course.

REMAIN OPEN-MINDED BUT CHANGE THE OUTLINE:

There have been times when a better story did strike me during the writing process. I can go with the new direction, but I must alter my outline so that the new ending is the new destination. I rewrite my outline of how it will end so I will have the self-confidence that I still know where I'm going.

This is a much more workable way to remain flexible but still have the boundaries and guard rails I need to write tight scenes and know where I am in the story.

START BY PICKING A PROTAGONIST OR A CRIME:

I start by picking a crime. My inspiration can be from a novel I'm reading, or a news article, an episode of Forensic Files, or sometimes they can be a combination of all of these. I am beginning to think more like an author and am starting to envision crimes happening in strange places or interesting environments.

PICK YOUR PROTAGONIST/HERO:

The most popular choices for heros/mystery solvers are police officers/detectives, private investigators, and amateur sleuths. I chose a private investigator as my first protagonist as PIs are easier to write about because police procedure is very complicated these days and that would have been too much to take on as a new writer.

I pick a Protagonist/Hero based on a personality type I think I can write convincingly about. If you are planning a series, you will want to give your Hero at least a few people that are anchors in his life. This will also give you leeway if you need to come up with a second novel as the stories can come through people in his/her life as well as from working.

I will reveal my Template - Planning Your Mystery in our next writers diary installment and how I start organizing my mystery elements.

Writers Diary – Pantser vs. Plotter

CHOOSE A PATHWAY:

I was lucky when I started as I knew, without a doubt, that I was a plotter. I don't write a letter without a short list of points I want to cover. But this can be a choice that can help you not get lost in the overwhelming number of things you need to keep in mind for any novel.

I won't go into too much detail as there are hundreds of youtube videos about being a pantser and being a plotter by more experienced people than me. But in one sentence, a pantser is someone who sits down and begins writing 'by the seat of their pants' without an outline or a template of any kind. Steven Kind is a pantser. Being a plotter means that you start with a template, and then an outline, and then begin writing the novel itself.

There are natural-born pantsers like Steven King, and if you are one of those, that should be your pathway. However, my suggestion to a newbie writer, especially if you don't know if you are a pantser or plotter, is to try to at least have a template and at least three-act play structure to keep you on track.

#WRITERS TOOL - MYSTERY TEMPLATE

There are probably hundreds of templates out there for you to choose from. If you search "writing template" at images.google.com, you will find hundreds of them. I incorporated several of them into my own custom Mystery Template. You can click here to download the template to have a look at it or use it.

This is the template I wound up using after at least a year of struggling with the other confusing templates. In time, I began to use a template that was divided into four acts, so to speak, but I'll talk about that one next.

Writers Diary – Can’t Makes Sense of the Hero’s Journey

ONE WRITER'S OBSTACLE:

As a new writer, I watched hundreds of new writer videos and read any number of how-to articles. Everyone referenced the Hero's Journey. All the experts claimed that all stories fit within this template and this would keep a newbie on track.

For whatever reason -- maybe I'm thick or a simpleton -- I was not able to wrap my head around making a mystery romance story fit into a hero's journey template. And believe me, I tried looking at it from ten different angles. This was the first obstacle I came upon. My first novel, which turned into a series, was about a private investigator who investigated mysteries but also had a character arc that had nothing to do with a quest or battling anyone. To this day, I must confess, I still don't get the Hero's Journey.

Years ago before I even thought of writing, I watched a video series given by a writer and professor named Joseph Campbell who first popularized this 'hero's journey'. If I remember the series of talks correctly, his specialty or his great love was that of mythology. Now, mythology, if I remember from my one course in school, was all based on quests and heroics of some sort. So I do see how mythology fits into the hero's journey. I just can't get how it pertains to crime mysteries, mystery romance or psychological mysteries.

Believe me, I tried so many times to reinterpret my stories into "The Hero's Journey" and I was never able to make it work. I also tried to envision the hero's journey when I read other writer's fiction, and I didn't see a hero's journey in their works either. At some point I did just give up with the hero's journey acknowledging that I must have a mental block about it.

WRITING MY OWN MYSTERY INSTRUCTIONAL:

During this same struggle, I also searched the internet high and low for a mystery writing template that didn't use the hero's journey, and although I found a few, they were still too esoteric in nature. They all appeared to be built on the hero's journey in one way or another. None of them mentioned the crime, clue dropping or anything you commonly find in any mystery, mystery suspense, psychological mystery, or even cozy mysteries.

Now, eight novels later, I have made my own Writing a Mystery Novel Instructional as well as a Mystery Novel Template. This is not being offered as any superior template, or even a workable template as I still consider myself too new of an author. But I do offer these to others who find themselves trying to put square stories into the round holes of the Hero's Journey. Maybe this can save you the frustration and hours of searching I wound up doing. That is my purpose for this offer.

I don't have a nice graphic with a slueth's circle, but this Mystery Novel Template helps me get my thoughts organized. I offer it as a #writerstool for newbies. This is another "I wish I had it when I started" tool.

Click here to open and save the Mystery Suspense Template.

Writers Diary – First Day – Whys and Wherefores

My pen name is R Shannon and I started writing in late 2019. I self-published my first novel on KDP on 10/01/2020. The name of it is Groomed for Marriage.

I am set to retire from many careers in February 2023 at which time I hope to devote myself more to giving back to the DIY Writing Community. I learned everything I know today from the generous people who have shared their ideas, skills, and knowhow with the #writingcommunity on YouTube, their books, and their personal websites.

I have published 7 novels and am about to release my 8th book around August of 2022. The purpose of this blog is to help other people who are just beginning too. I have done HOURS AND HOURS of research and my hope is to save you some hours of research.

Most of what I'm sharing comes from other authors. My contribution is to try in some way to organize the information in some curriculum so that a newbie can learn what they need for the process of writing to publication to self-marketing.

I started writing in Word, but the tool that launched me as a writer was Scrivener. This is a reasonably-priced software that allows you to always have a bird's eye view of all that is happening. It can also be used to do initial plotting, outlining, writing the book, and even marketing. When I purchased it, it was $99 and it made all the difference in the world.

WRITING TIP:

This is a screen shot from Scrivener during the initial of writing. As you can see, I can keep track of new days, and chapters on the left-hand side, the writing itself is in the middle, and on the right hand side are various other tools, but this shot is showing the keywords. #writingtip

HOW I USE SCRIVENER KEYWORDS:

For this novel series, I use the keywords to allow me to name every relationship in the chapter. Then at the end, I can select only one keyword and track the character arc and/or the action in that plot or subplot. I didn't use keywords as a brand new writer, but I wish I knew this was a tool I could use. It is so very helpful. #writingstrategies

Scrivener Tips for Beginner Authors

PLOTTING IN EXCEL:

My plotting is done in Excel and then highlighted and taped together so I can see a bird's-eye-view of the entire story. After I have a working plot, I then go to Scrivener to begin writing the story.

FROM PLOTTING TO FIRST DRAFT

The video below is one that gives a new novelist, a true beginner, some tips that can help you with organizing your writing and keeping track of clues, background drops, character relationships and more. This system can be customized to whatever you as a new author needs in terms of tracking. For example, in my first novel, Groomed for Marriage, I dropped most background at least twice, and sometimes three times! That's how I came up with a way to be able to keep track of it in it's own section in Scrivener.

I hope you enjoy the video. If you have any suggestions for future videos about scrivener or anything else about "new authors", leave it below and I'll check it out.

How to Submit Novel to CatholicReads.com

WHY SUBMIT YOUR BOOK TO CATHOLICREADS.COM

If you are writing novels with a Catholic or Christian theme or backdrop, you may want to consider submitting the book to CatholicReads.com for review. They have a list of over 600 people who are signed up as already interested in Catholic books and Christian books. This is a niche market and one that may be a good fit for your novel.

SUBMISSION RULES:

Book is priced at 50% off or less
Must be on a combination: ebook & paperback or Paperback and Hardcover
Sale period is minimum of 24 hours and maximum of 2 weeks
It can be on any online store or on your own website
Books don’t have to be religious, but they need to be Christian and Catholic friendly.
You can submit more than one book at a time.
If it is part of a series, you need to request that they review the first book.
If they don’t agree to review your book on the first submission, they are not likely to review any other books by the author. (Pretty harsh???)

WHAT DOES CATHOLICREADS.COM DO FOR THE AUTHOR?

Once they review and accept your book, they will send the book in one fo their emails that they send to the list of over 600 Catholic and Christian-friendly book readers. This will lead to book sales, and/or author recognition.

Submission is easy, although it can be a little time consuming and it is best to know the rules and steps of submission which I am going over here for your review and convenience.

HOW TO ACTUALLY SUBMIT THE BOOK:

1. You need to go to their reviewers page (the about page on the website) and pick the person you think would most enjoy your book and jot down their name(s). In other words, if you have a romance novel, you probably wouldn’t want a science fiction fan to be the one to read and review your book.

2. Email readcatholic@gmail.com with the submission line: “Submission: Book Title”.

3. DO NOT ATTACH YOUR BOOK TO THE EMAIL. They will ask for it later in the process.

WHAT TO INCLUDE IN THE EMAIL:

1. Name of Book
2. Book Blurb (You may want to choose your longer book blurb to give the reviewer a little more information that would convince them that your book would be a good read and a good fit for their reader base.)
3. Why you think it would be a good fit for the Catholic Reads audience.
4. List of the themes explored in your book. (Confession, sin, annulment, abortion, etc.)
5. If you think this book would be particularly fit for a specific reviewer on
our team, let us know. (Choose a person you think is a good fit for your book. The reviewers are on the About Page of the website.)
6. If your novel is part of a series, you need to mention that as well.

WHAT HAPPENS AFTER SUBMISSION?

They will contact you with a request for the book once the submission has reached the top of their list. You can email and ask what number your submission is on the list.

Once your book passes that process, then you will be contacted about submitting the copy of the book, AFTER the vetting process.

WHERE IN THE MARKETING PROCESS IS CATHOLICREADS.COM?

Because you will be offering the book for a reduced amount, it should be before you join Kindle Unlimited and you may decide to run this the minute you get it back from the proofreader and it is ready for final publication. This could be the first thing after the Proofreader is finished, as you are making the changes to the book as there is a waiting period.

A Simple Mystery Plot

TEMPLATE – SIMPLE MYSTERY PLOT

I spent a lot of time in researching novel templates and wound up getting more confused than organized. I may have a mental block on this, or if you are a beginner, you may find the same difficulties in getting your plot or story line to fit exactly over a template outline.

Below is a general and loose outline that I put together after writing my first draft and reverse engineering my two favorite books. I hope this will help you get organized in writing your first novel.

ACT ONE

PRESENT THE CRIME – HOOK

You will need something to happen or raise a question or mysterious circumstance in the initial first chapter to grab the reader’s attention and make they want to find out what you are talking about. This is called a “hook”. This is different from the “inciting incident”.

INTRODUCE THE SLEUTH:
Introduce the sleuth and mention his/her weakness that will be overcome while solving the crime. Introduce what inner conflict is bothering him/her, and what he wants in life or his profession. Keep in mind this character’s arc (where he starts out, how he changes, and where he ends up).
Introduce the sluth’s helper, sidekick or mentor. You can also introduce the romantic interest in this first section of the book if it fits. How he or she wanders into the story.

INTRODUCE OBVIOUS SUSPECTS (minimum 2)
INTRODUCE CRIME COMPLICATIONS

INTRODUCE PRIVATE LIFE/SUBPLOT:
Introduce Hero’s home conflicts, work conflicts or or inner conflicts.
Introduce the Sleuth’s romantic interest, which in a mystery romance is the subplot.

In the beginning, something happens that will call the Hero into action. This is called the “inciting incident”. This interrupts “normal life” and presents a situation that the hero doesn’t want to bother with or think she can handle it simply and quickly. He/She is expecting this will not disrupt life as he/she knows it. (In a mystery romance, it’s usually the first dead body!)

ACT TWO

Act two is the longest act and this is where all of the mystery investigation will take place. The sleuth will begin to collect evidence, question witnesses, suspect some people and think others are innocent.

This will include the initial police investigations and early forensics (medical examiner, bullistics reports, etc.)

Working from your Reverse Engineering Worksheet, decide how you will drop the clues into the various scenes. You will want a minimum of two suspects that both look guilty. Depending upon your plot line, you can have any number of people who could be a suspect. All of your scenes will revolve around the investigator finding clues and following them to the next clue, and you dropping them for the reader.

There could be another murder, the disappearance of a suspect, and any number of tension-building things that can happen. You always want to keep the drama moving, especially in this middle section where books tend to lag.

Raise the stakes: If they don’t find this killer soon, what will happen? If the killer gets away, what will happen or not happen? Make sure you write in the stakes, the risk and why the sleuth needs to find the murderer.

WEAVING THE ROMANCE – During the first and second acts, you will also be weaving the romantic beats of the story throughout the action. Before writing the romantic parts, have in mind the “development of the romance”. You need to know where it begins, where it goes and how it ends up. For example: They couple starts out as trying to be professionals on the case and hiding their attraction, maybe having a conflict on how they see the case, and then the heat or being together makes one of them make a move, they both admit they are attracted to each out, and in the end, they both find true love. In today’s world, you can find something a little more enticing that this flat example, but you get my point; you need to know where they are starting, how they will both change with romance, and where they end up.

DARK NIGHT OF THE SOUL/ALL IS LOST:

At the end of Act 2, the investigation of the crime is not working out or things seem to be going against the sleuth and any of his helpers. He/she or they reach their darkest moment, they feel like they should give up, their “Dark Night of the Soul”.

ACT THREE

SLEUTH RISES LIKE THE PHOENIX, REGAINS HIS/HER ENERGY AND MOVES FORWARD.

In this section, the sleuth regains his energy and his will and he/she decides that he/she is all in, is going to fight to the death to prove this case no matter what. He goes back to the beginning, reviews his clues, re-evaluates things, and finds something that was overlooked in Act 1 that suddenly has greater significance. This will be the new avenue of approach and this will lead to the ultimate solving of the crime and hopefully to justice.

CONFRONTATION OF THE PERPETRATOR:

At the end of the mystery, as it is solved, you may well have a confrontation of the perpetrator by the sleuth or there will be a scene where the cops run in and take him down, depending upon who your sleuth is.

RESOLUTION OF THE SUBPLOT/RETURN TO NORMAL:

Once the crime is solved, the sleuth will be a better person, he/she will have grown through their character arc, an they will be at a better place, more sure of who they are. If it is a mystery romance, this will also contain a scene or two of how romance has now changed his/her life for the better.

You may also have a scene where your sleuth is explaining the whole plot to someone who still doesn’t understand. Most books no longer have this, but I like it when the author “ties it up” in the end. I think it makes the book more satisfying to go over the plot and see and hear it summarized. I maybe old school, but I just think this adds to the experience of the story. I don’t have to tell you how much I dislike these movies and stories where the readers decides what the book means? I feel like throwing the book at the wall, so I like to have a summation, so to speak.

I hope this helps you if you too are just beginning to write stories.

Reverse Engineering Books

REVERSE ENGINEERING BOOKS AS A SELF-LEARNING METHOD:

The one area on YouTube that I never found any ‘work flow’ videos on was the method of reverse engineering story in order to learn the craft. I reread two or three of my favorite novels and reversed engineered them myself. I wanted to see what this method would teach me in terms of how these favorite stories fell into these novel format templates I was finding.

I had trouble, and still have trouble understanding what a first plot point is compared to a second plot point, or the mid-story point. If your story is about someone setting off on an actual journey or adventure, I think it is easy to fit this plot line onto these templates, but if you story is a slice of life backdrop with a mystery and romance, it was harder for me to see how this all fit into these templates.

This dilemma is what led me to reverse engineer a few of my favorite books.

WHY WOULD YOU REVERSE ENGINEER A STORY?

My purpose in reverse engineering the stories was to find out how these stories fit into these template structures. I wanted more clarity in identifying various plot points and pinch points and how that was different from the mid-point. That was my only purpose when I took on this task.

HOW DID YOU DO THE REVERSE ENGINEERING?

I re-read the book, and during and after each chapter, I wrote down what happened and where I thought this fit in the template. I also tried to identify the conflicts and obstacles, and anything else I thought was relevant to the story.

Having done this a few times now, I believe it is easier to do the reverse engineering with a book you have already read so you can read for structural understanding instead of trying to understand the story. It is also easier if you choose a book you enjoyed. You will enjoy it even more as you begin to see how the author structured the books and laid out the clues, etc.

WHAT DID YOU LEARN FROM REVERSE ENGINEERING A BOOK?

What I learned from the process was different from what I thought I would learn. First of all, I found the stories I liked didn’t really fit into these “journey format templates” either. I could identify the resistance to the call to action, the call to action itself, and the setbacks. I still couldn’t tell you which was was a plot point or a pinch point, even to this day and I’ve been at it now for three years, which is not that long, but I want to be honest. The clarity I got from this process was not what I had set out for.

What I did end up learning was that I picked up so much more from the story than I did the first time I read the story. The act of recording a summary after each chapter added a layer of understanding that allowed me to enjoy the books even more.

I also learned that “conflict” didn’t have to be a huge hostility between characters, it could be a sore spot, or a difference of opinion, conflict can be of the subtle kind. This freed me to understand that small deep inner conflicts were enough to write into the story. This was important because I don’t enjoy stories with these abrasive and brash personalities at play. I don’t like these people in real life and I don’t like them any more in print. So that was a big eye opener.

The other thing I learned was that as a newbie, I had to operate on the premise that I was only able to identify the inciting incident, call to action, refusal of the call to action, the circumstances that changed the call to action from a choice to almost a moral obligation. This would have to do until I got more experience under my belt.

But I noticed in my reverse engineering that in the long mid-act of the book, it is important to never led the book lag. So in lieu of operating with the pinch points and plot points, I focused on making each chapter have a purpose, drop some clues, and have some level of character development going on. This way, I figured the story was always moving and going forward. Only time will tell if this is enough.

WHAT IS THE REVERSE ENGINEERING OF A BOOK PROCESS?

For those of you who want a real how-to, I opened the books from Amazon.com on my computer and I had a notepad document opened and I put the summary for each chapter under the Chapter heading, so that after it was done, I could see this outline on the one document. Then I printed it and tried to figure out the plot points, pinch points, etc. Again, like I said earlier, the plot points and pinch points still evade me, but I was able to learn how the author laid out the clues and kept the story moving. I may have a blind spot regarding this plot point vs. pinch point because I am new to this, or it hasn't sunk in yet. If you have any tricks or tips you want to share about recognizing these in writing, please let me know and I can feature you in a blog post coming up!

FOR THE CURIOUS:

The books I reverse engineered were The Gold Coast by Nelson DeMille and An Inconvenient Woman by Dominick Dunne I would recommend both of these writers and both of these books! They are linked with my associate links to the left or above.

Studying Writing v. Reverse Engineering

KNOW WHERE YOU ARE STARTING FROM:

I am a new writer myself and by no means do I hold myself out to be any type of an expert. But I am still very close to the "very beginner status" and still understand some of the obstacles only a brand new writer is faced with.

The experts can't remember having "two left hands" anymore, but I sure can. My purpose is to blog as I move through the learning process, so I can share my experience and research and save other newbies research time as there is so much to learn!

Some new authors will already have studied writing or may be young enough to decide to study writing in a college or a formal learning environment. Hopefully, the institute or teacher you have will have circularized the information you need to know and you will be taking it all in in some organized way.

Others may be writing as a hobby or a second career, or like myself, preparing for a busy retirement. Either way, it’s important to know where you are beginning and what you even know about writing. Having gone to parochial schools, I had English classes until I was just about drown in them. So that is one of my strong points. However, I never took a creative writing lesson in my life and so writing a novel, specifically, I had no clue when I started out.

I worked as a court reporter and legal assistant for many years and although I am not a lawyer, I sat in more trials than many real lawyers, know what the court office of a Judge looks and feels like, what a busy lawyers office looks and feels like, and many more “mini-careers” like this. So I bring a broad spectrum of experience and a bit of legal understanding to my writing. I consider that a strong point too.

KNOW WHAT TYPE OF BOOKS YOU WANT TO WRITE:

I have always loved shows that use the church or the Vatican or some other religious theme as a background. Unfortunately, hollywood and the publishing world in general are very disrespectful to religious symbols and this always took away from the enjoyment of the stories. I knew I wanted to use a church backdrop of some kind, but leave out all the blasphemy and spittle.

I also knew that I loved to read mystery, suspense and they usually have at least a splash of romance in them. So this too would be where I would concentrate.

KNOW WHERE YOU WANT TO GO:

So the first task was to figure out how to go from wanting to write a mystery romance with a church/Christian backdrop to actually writing a novel of this kind. My legal skills or grammar skills were not going to get me there, so what is a person to do? I went to YouTube an began watching videos, and there are thousands of them, written by successful authors as well as young college-educated editors. I got a mix of people sharing about creative writing, story beats, plots points, etc., to successful authors who, like me, started with one book and self-published their books on their own.

KNOW WHAT SKILLS YOU HAVE AND WHAT SKILLS YOU NEED:

I needed to learn what a mystery romance novel needed, story structure, how to break up the story, how to pace the story, plot points, story beats, pretty much everything. So for about a year and a half, I dedicated myself to simply learning about writing to see if it was something I could do, as I did learn very early on that one simple phrase of “I want to write a book” encompasses so many skills that must be acquired or paid for, that it can be an overwhelming process.

My first area of focus was structuring a story. How to organize the story seemed to be the first over-whelming obstacle for me so I began reading books on structuring a story.

Story Engineering by Larry Brooks was my favorite as he was, I believe, an engineer by trade before becoming an author and he has a very organized mind and he laid out planning a novel with an overview that I found most helpful as a newbie. I have an associates link below to the book.

I would recommend this book because I needed an overview of the process, like a birds-eye view, in order to even have the files to hold the information I was taking in watching various YouTube videos. You can learn anything on YouTube, but you need to learn to circularize your own course. You need to figure out how to take in the information so it all makes sense.

Writing a Mystery Novel – Where To Begin

DON'T DO WHAT I FIRST DID!

In preparation to write my first mystery novel, I watched random videos on YouTube by successful authors and successful book marketers, all of whom had great information about how to write books. The videos usually take one subject at a time, and when you watch videos in some random fashion, which I did, you wind up overwhelmed with information and no way to organize it or process it. The purpose of this blog post is to give some tips from one beginner to another. This is more like a how not to do things vs. how to do things. The purpose of this post is to help you not waste time and energy and to get right down to business, which I wish I did.

ARE YOU A PANTSER OR A PLOTTER?

When I began to hear terms like “panters and/or plotter” I didn’t even know what they were talking about. A pantser, if you don’t know if someone who just sits down and begins to write “by the seat of their pants” without any organization and without any plot line. They approach the writing from a completely creative process. I imagine that “natural writers” would take this approach. Maybe people who like chaos would take this route. But I would wind up staring at a blank page all day if I didn’t have at least an outline.

I knew I was going to be a plotter right from the beginning. So your first order of business in writing a novel is to then have your plot line. That sounds easy enough, right? Well, depending up on what type of book you are writing, this will determine what type of plot line you will need. For example: If you are writing a true crime novel, you have a chronology of events that is pretty much written in stone. So you will have a ready-made plot line. If you are writing a fictional novel, then you have to write a chronological plotline and you need to determine where to drop clues, where to begin subplots, where to hide subtle clues as to the real villian, where to throw in a red herring or two, etc. This is where it can get a little tricky.

MYSTERIES BEGIN WITH A CRIME AND ARE PLOTTED BACKWARDS:

It took me awhile to realize that it is too easy to write yourself into a corner with no way out if you start writing from the characters. Many of the how-to videos I watched in the beginning said that it all beings with characters and conflict. This is true that each story has characters and conflict, but most mysteries have some kind of a crime and/or injustice. Once I realized that it is easier to begin with the crime and plot backwards, this made things much easier.

REVERSE ENGINEERING A CRIME/MURDER:

1. How is the victim killed and/or harmed?
2. Who is responsible? (This gives you your murderer)
3. Who else in the story has motive to kill the victim? (This gives you your multiple suspects)
4. Who is completely innocent but looks really guilty? (This gives you your red herring)
5. Where does the plot/murder take place? (factory, park, someone’s house, outside a bar?)
6. Who ultimately solves the crime? (This gives you your protagonist)
7. Who is working against the solving fo the crime? (This gives you at least one antagonist)
8. Who wanders in and winds up having a romance with the protagonist? (This gives you your romantic subplot)

A LITTLE BIT ABOUT THE LOCATION OF THE CRIME/MURDER:

It is best as a beginner to choose a location and setting that you are familiar with. It will cut down on the research you need to do, as you will need to do at least some forensic and police procedure research. For example: I used to be a court reporter for 11 years and I have experience working on criminal cases, how prisoners are moved around the courthouse, how sheriff’s officers and prison guards are different from cops, what goes on in a Judge’s chambers on breaks and after the jury goes home. So this is a good setting for me to write about.

Let’s say you worked in a bar and restaurant when you were in college. You know the intricacies of this setting. Wherever you worked will be a good setting to work with because you already have intricate knowledge about how it all works. This cuts down on wresting with too much in your first novel.

THE MAIN CHARACTER:

One of the biggest mistakes I made in the beginning was focusing too much on the main character. With a mystery, you need to have a unique crime that hasn’t been done before. Because there are millions of mystery books, your specific crime may have been done, but you want to make sure you don’t pick on that has been “done to death”.

So all of the thinking I did regarding who the main character would be was for naught. It was a waste of time. It all started with the mystery/murder and the motive and antagonist. That’s where I ultimately started -- after I had to wipe out a lot of the erroneous information I had taken in about the lead character being the main focus. In a mystery novel, in the planning stages, the mystery/murder is the genesis of the story.

Once you have your crime and a group of suspects, the protagonist almost creates him or herself. It comes down to who would likely solve this crime? Is it a cozy mystery with an Aunt Mildred as the top sleuth or is it a police procedural mystery where it will be all about how the cops outwit the murderer? In my case, I chose a private investigator as I wanted him to be someone who had a friendship with a priest so I could have a Christian/Catholic backdrop to the story. By picking a private investigator, I also allowed for a little leeway on police procedure. A PI is more likely to break the rules and go rogue than a cop these days and the police procedures are so technical now that unless you are an ex cop or you have someone you can literally call a few times a week to run things by them, then you will have a lot of research to do.

WHERE TO GET INSPIRATION FOR CRIMES?

I watched Forensic Files for awhile and paid particular attention to the chronology of how they solved the crimes, what the cops did, and what the scientists did. They have such unusual crimes on these shows and such an array of them, this is a good source of inspiration. I tried checking my local papers, but 95% of the cases are drug cases or random shootings and they don’t make interesting plot lines by themselves.

If you have any other advice for us beginning writers and wish to share with us, please contact me and I would be happy to do a blog post or video featuring your lesson or tips for us.