IT'S IMPORTANT TO KNOW WHY YOU WANT TO WRITE.
E
veryone writes for a reason. Knowing why you write is important, especially as a beginner writer. Writing a book is not hard, but it can be a long process. If your purpose for writing is clear, this will give you the energy and inspiration to spur you on if and/or when the going gets a little tough.
Are you writing for pleasure? Are you an avid reader and you want to write the books you never found? Do you want to write around some social commentary you have a desire to share? Writing is a form of sharing. What is it that you want to share? Your wit? Maybe Satire? Have you always been told that you're funny? Do you have a unique take on society that you think people would like?
I love stories and movies that have a backdrop of Catholicism in them, like The Godfather saga, or The Supranos, or even Ray Donovan. The Catholicism in these stories felt familiar to me and I believe it gave the story a layer of depth as it tapped into religion and culture which tends to anchor a group or family. So I write novels that have either a backdrop of Catholicism or a ribbon of Catholic sensibility passing through it. Of course, I leave out the blasphemy that Hollywood loves to toss in there on occasion!
I also write as part of my legacy. I began to write in 2018 when I moved to Central Florida, which I considered my pre-retirement. Now I have retired and I write full time. I feel that my books will be part of my legacy. I'm clear on my purpose for writing.
ARE STORIES JUST BURSTING TO COME OUT OF YOUR HEAD?
Some people are what I call natural-born writers. They do have stories bursting out of their hearts and heads. Often, these people fell in love with reading as children. Reading was an adventure. It took them up, up and away. Some people have always had a desire to author their own stories. If this sounds like you, you are a natural-born author.
This is usually a sign that you have been given the gift of authoring. These gifts are Heaven-sent, and predate schooling and other influences in your life. If this is the case, embracing your fate is probably the next best step to take.
DO YOU WANT TO WRITE AS PART OF YOUR LEGACY?
There are trades and arts that seem to fall by the wayside in each generation. But often, how to do certain things is lost to history. Do you know how to do something that you feel you need to leave behind? Do you want to write about how you did something that is now fading from the world?
There are young people who don't know how to write a check anymore. They don't know how to address an envelope for the mail. Some don't even read cursive writing anymore.
Listening to a lecture by the learned intellectual and researcher Thomas Sowell, he stated that when Rome fell, the western world lost the art of making bricks. Then when the western world got back on its feet, they had to import brings from England because the art of making bricks died with the civilization. Cement was invented in Rome. They made all of those brick arches -- but the art was lost. What is it that you know how to do that you feel compelled to record for prosperity's sake?
I'm old enough to remember 'phone guys' that worked for Bell South or whatever the phone company was called back then. These men -- they didn't have phone women back then -- would show up with big toolbelts and gaffs or lineworker boots on. These boots had cleats or little metal spikes in them that was a safety feature. These men know everything about the phone system. They would climb the wooden telephone poles and they could fix phones outside on the pole or inside in the houses. They were familiar with the entire system. That is one group of technical workers that have fallen away.
Is there something about an art form or a job that you knew that you want to pass on for prosperity sake? You can write a novel around it and it will serve two purposes: It will be a way for you to tell the story of your industry or job and you will be documenting how life was at a certain time in history.
DO YOU HAVE A BURNING DESIRE TO SHARE A UNIQUE EXPERIENCE?
Very often life dishes out some hard times to some of us. Did you experience, survive and prosper through some difficult times that you feel compelled to write a memoir about? You don't have to have been a famous celebrity or someone with a Moses-like mission. You may have fell on hard times and you want to share your experience, strength or faith that kept you going. People love inspirational stories.
Writing a memoir can also be part of your legacy. Someone three generations down the road may be curious about how the family was back in your times. By having a published memoir, you can share your perspective on things during the times you lived.
Today people no longer write letters. Most photos live on phones that may be lost or stolen. Even photos in the cloud could easily be lost to history without the right username and password. By writing a memoir, you may be someone who is documenting the present in a way that historians in the future may be very grateful for.
SO WHY DO YOU WANT TO WRITE A BOOK?
What do you think? Do any of these reasons resonate with you? Make your first writing assignment to list the reason or reasons why you choose to write.
Here is a video where I had a few more words to say about finding your reason to write!
This could be a person who works full time, lives alone, or has a few kids and there is just not enough extra money around to fund all the things necessary to do when self-publishing a book. Not to worry. There are a few choices for you.
When I first decided to write a novel, it took me one full year (I’m not kidding!) to even come up with a crime. Today, using these methods I’m about to reveal, it only takes me two to three days to think up three or four mystery scenarios.
Let’s talk about how to use this work sheet. Choose a crime or mystery from the list below and make up a potential perpetrator. Don’t waste time on what he or she looks like. Then start asking the following questions:
Once you have a perpetrator and the cast of necessary characters, then it’s time to answer the following questions:
Before you exert too much energy fleshing out any character or story details, be sure to check to make sure you can design a three-prong storyline out of this budding storyline. One prong will be a red herring storyline, someone who may look guilty, but is exonerated in the middle or end of the story. The second prong is a second suspect or a wrong suspect who will look guilty for a large segment of the storyline. And the final prong will be for the real culprit. In order to have a story that works, you will need a believable crime that can meld these three prongs into one suspenseful story.
When I started writing several years ago, I came across the standard character worksheet and it focused mostly on physical attributes, occupation but there was a disconnect regarding their role in the storyline, which is the most important part.
As a newbie, it took me awhile to remember that a character needs to have an arc over the storyline. So it's important -- and time saving -- to know what that arc will be before you even begin the draft. This character sheet can help you find this so you know where you are starting from and where you want to end up. The following questions should help you focus on what this character arc will be:
For minor characters, you only need to answer a few questions. It helps to know what role these minor characters will play and what, if any, background information is needed to support them in the storyline:
Yes, a tax lien on a company is a public record. This means that anyone can search for and view the lien, including potential creditors, investors, and the general public. The lien will typically be filed with the county recorder's office in the county where the company is located.
The purpose of a tax lien is to give the government a legal claim on the company's assets if the company fails to pay its taxes. The lien will remain in effect until the taxes are paid in full.
If you are interested in finding out if a company has a tax lien, you can search the public records for the county where the company is located. You can also contact the Internal Revenue Service (IRS) to see if they have a lien on the company.
Here are some of the reasons why someone (or a detective) might want to know if a company has a tax lien:
Sometimes just having an overview of how things work can help you thicken the plot or add some details that will enrich the story. Below are some words and definitions that surround the subject of Tax Liens:
I am knee-deep in Level 4 of writing the next book in the Jack Nolan Detective Series. I thought this would be a good time for me to take a break and reflect on what happens when I'm 'in the weeds' writing a novel.
When you first sit down to write a novel, everyone is filled with enthusiasm and creative energy. It's exciting. It's new. But as the manuscript begins to grow, before it feels finished -- or even ready to be polished, it feels cumbersome, heavy, and overwhelming. At least for me it does.
It's possible to get paralyzed by a fear of failure at any point during the writing of a novel. It's not a one-and-done operation. No one sits down, starts writing, finishes writing and ta-da, there's a book. Writing a novel doesn't work that way. It's a long process. It's a multi-layer process.
Writers block is another common problem among authors. This often sets in after that initial period of excitement about the novel wears off. At some point the writing of the novel shifts into a project requiring some heavy lifting. There's always a phase or two where the author has to tough it out. We have to keep at it.
Will my readers like the book? Will the book be good enough to get a literary agent? What happens if my book gets bad reviews? There are any number of fears of rejection that can cause us to stop writing. Decide ahead of time you won't allow these fears to stop you. Like I said earlier, think of your writing as a mission God has given you. This is your life's work, along with your other worldly responsibilities. Your writing could be an opportunity to pass on things you have come to learn in your life. That's a purpose. Or maybe writing is a way for you to share the gift of storytelling that you know you were born with. That's a God-given purpose. Whatever the reason, it's important to not allow fear of rejection to get in the way.
Distractions are one of the biggest obstacles to completing a novel. One reason is because life does serve up constant small and big emergencies that have to take first priorities in our lives. So an emergency distraction can throw a whole well-planned writing schedule up into the air in a heartbeat.
Most novels require at least some research. The internet can be a blessing with research but it can also be a curse. It's a blessing because the days of having to travel to a public library are over. It can be a curse because the research can suck you in and you can use up all your valuable writing time doing too much research.
Another trap to finishing a novel is to get caught up in a never-ending edit of the book. This usually hooks in with perfectionism problem in some way.
Once you complete a novel, there is a little sadness that sets in. This book is no longer your baby. It's no longer your little pet project. Once you hand it off to an editor, it becomes a shared work, so to speak.
For anyone who is new here, I use a Four Act Structure as opposed to the more-popular three-act structure. I find that middle section in the three-act structure too confusing. Over the writing of 12 novels, I gravitated to a four-part structure as it is more symmetrical and makes more sense to me. I also believe, for whatever it's worth to anyone, that this three-act structure is responsible for the 'lagging' that often occurs in the middle of a story.
The inciting incident. In a murder, crime or police procedural story, this will be the crime itself and how the detectives show up in it. When the detectives are pushed into going on a quest to solve it, that's the inciting incident. This begins the journey of the story.
Part Two is where I introduce all the suspects and their possible motivations -- as the detectives are quite often guessing at this early stage of an investigation. The motivation of each of the suspects will be uncovered in some way later in Part two or even in Part 3.
The end of Part Two usually marks the midpoint of the book. I like to end this section with a .big reveal of some kind. Or maybe a clue that turns the investigation into another direction. There could even be a new murder, or the surfacing of an unusual suspect, or someone gets caught in a big lie that changes the direction of the investigation.
Now the investigation gets a little stressful. The detectives may not agree on who the guilty party is, or maybe they know who it is but can't find the legal evidence to prove it. Maybe they are operating only on gut feeling and speculation at this point. They are rushing against the clock or against other forces working against them to solve it, catch the guilty party or find compelling and irrefutable evidence.
Part four is broken down into two parts. In the first half of Section 4, the crime or mystery is solved. There will be whatever drama you want to add about the solving of this crime. Whether your detectives are battling physically with someone, bullets are being fired back and forth, or entrapping the guilty party, or just uncovering that last piece of evidence that will legally prove guilt, this is where this is revealed.
The second half of Part 4 is the 'wrap up'. This is where you will show the new normal, everyone's life 'in resolution'. This is where you will also explain the full growth of your characters. Many author's don't do this, but I don't like to read books where things end where the reader is left to decide what it all means. I may have my own opinions, but I like to know what the author meant by the story. So I make sure I explain, again very quickly, how things are ending in a narrator voice.
Most new writers want to get to the writing already. But in this layer of writing, all plot holes or inconsistencies will show up. Any clues that won't work when adding more suspects and motivations will show up in this layer.
My template is short but it keeps me on track. I'll break it down below. This small template I use keeps my writing on point and tight. It prevents me from meandering, dawdling, going off on an irrelevant tangent or writing myself into a corner.
n order to prevent head-hopping, which is very common among new writers, you need to be constantly reminded that each scene is in one perspective. Some writers write in first person and that's easy.
I don't know whether I am an author who is obsessed with time, or whether I use time as an element to put pressure to solve on my characters, but I have always tracked time. I find this helps me balance the story and make the story more realistic.
Location is important for two reasons. One reason is casts the scene in cement. You have chosen a stage for the scene to take place. I don't write any scene or location descriptions in this layer of writing. But I can write the action of the scene in context of a location.
This is the second step in writing a new fiction novel. In the first step, I start out with writing four potential storylines in FreeMind, which is a mind mapping software. 
Most new writers want to start writing scenes and dialogue. They want to just get on with it. But the dark side of working this way is that when you find out your clues won't work when you need to add a new suspect, you will have written two chapters already. My process will save you from writing for the trashcan.
In the first installment of the Peek Behind the Novel Series, I wrote about working four different plotlines before choosing one. By working on four of them, it helps me 'improve' on some storylines and when I have four to choose from, I am able to go into the project knowing that I have chosen the best one. It's a technique that I use to build my author confidence.
In the first layer of writing, I focus only on the crime or mystery. I make a list of the chronology of the crime. How it happens, who it happens to, how the detectives are assigned to the case. I focus only on the crime. I don't think of subplots, or dialogue or even the outcome. Only on the crime itself, almost like a Forensic Files show.