WHAT TO DO IF YOU NEED TO WRITE A STORY AND YOU’RE STUCK:
Mastering the art of writing captivating mysteries. Unleash your creativity and weave intricate tales of crime and suspense.
MYSTERY NOVEL BRAINSTORMING WORKSHEET

This worksheet is geared for those who want to write a mystery or crime novel. It helps with writer’s block too. It breaks down the process into small bite-sized pieces and it will get your motor going without any effort.
Just follow the suggestions, summed up easily below, and you will have at least the start of something within minutes. There is a link below to download the three-page instructional and checklist.
If you are an intermediate novel writer, here is a graphic of the overall process without the instructional questions:

THIS WORKSHEET HAS MULTIPLE PURPOSES:
If you are stumped for a main story, or if you are stumped for what happens now, or even if you have written yourself into a bit of a corner, this instructional will help, along with your own creativity and thinking, to bring about new possibilities.
Jump into the series of steps wherever you are in the writing process and it will help you restart your engine. Once you go through the process a time or two, I’m sure it will become your go-to procedure.
THE LISTS | CHOOSE FROM COLUMN A AND COLUMN B:
Below is a closer look at Page 3 of the Worksheet where it will give you a wide birth of choices for mysteries and/or crimes. It’s hard for one mind to think of all the possibilities without some kind of aid no matter how creative one is.

START THE WORKSHEET BY CHOOSING A CRIME OR MYSTERY:

Let’s talk about how to use this work sheet. Choose a crime or mystery from the list below and make up a potential perpetrator. Don’t waste time on what he or she looks like. Then start asking the following questions:
- Why would this person want to commit this crime?
- What could be going on in his/her life that would make him/her feel they needed to commit this crime?
- How would he want to cover his tracks?
- What specific knowledge would a character need to pull off a crime or swindle like this? In other words, is he/she an accountant and that makes it easier to commit a financial crime?
- Then ask: Who would need to help him or give him/her cover? Add necessary characters and think about a connection. Is it a family connection? Is it a romantic connection?
THE NEXT SET OF QUESTIONS TO ASK:
Once you have a perpetrator and the cast of necessary characters, then it’s time to answer the following questions:
- What could go wrong in the commission of this crime that would create tension or mystery? (He drops a glove or a drop of blood.)
- How will these clues ultimately lead to his/her exposure? (How will this clue be found?)
- How can this end in a way that would let justice prevail? (How and who will find the clue?)
- How will the culprit ultimately be caught? (Is he cornered by an accuser? Is he arrested? Does he confess?)
- What is one clue that can be minimized in the beginning of the story but will turn out to be the one who catches the bad guy?

NEXT SET OF QUESTIONS:
- List the things that could go right for the perpetrator — like a second, more-likely suspect pops up and suddenly all eyes are not on the real culprit anymore?
- Could there be other likely suspects that would also have motivation to commit the crime?
- As the story grows, add whatever crucial characters are needed (witnesses, husbands, wives, bosses, helpers, etc.) who you will need to make the crime and solving of the story happen.
- If you get this far, it means that you have a viable storyline.
THE SKELETON OF THE CRIME:
Before you exert too much energy fleshing out any character or story details, be sure to check to make sure you can design a three-prong storyline out of this budding storyline. One prong will be a red herring storyline, someone who may look guilty, but is exonerated in the middle or end of the story. The second prong is a second suspect or a wrong suspect who will look guilty for a large segment of the storyline. And the final prong will be for the real culprit. In order to have a story that works, you will need a believable crime that can meld these three prongs into one suspenseful story.
As you use this worksheet and these techniques, a crime skeleton will emerge. Some attempts at this will go flat in the early stages for any number of reasons. But some storylines will begin to almost shape themselves.
I always make four believable storylines and then choose the best one. Then I know I have the best of my ability at that time in my life. Once you know you have a storyline and a lineup of stick figures and character roles that can technically pull off the mystery, so to speak, then you can begin to build real characters and an actual story.
THE CHARACTERS BUILD THEMSELVES:
Once you know what will be needed for the three-pronged storyline and what traits the lead characters will need to play out their parts, the characters will start building themselves into two-dimensional characters. You can take the characters up to deeper, three-dimensional characters as you flesh out your main story and subplots.
LIST OF MYSTERIES, CRIMES & GENRES
I hope this is helpful. Once you know you have a workable storyline, then it’s time to take a look at my Ultimate Character Development Worksheet. This will help you bring the stick figures to three-dimensional with a full character arc.

Pulp Fiction become popular during the depression of the 1920s and 1930s. Publishers at the time used a very cheap “pulp” paper in order to produce these short stories and magazines that cost about a quarter. Yes, twenty-five cents!

When I self-published my first novel, I finished it and uploaded it and waited. That’s when I learned how important marketing the book is. I also learned through the next several books how important it is to take advantage of each tiny phase of a book launch for marketing. That’s what this blog post is about.


Writing a novel is a huge undertaking. There are many things that go into the writing of a fiction story. The best tip I can pass on is this: Break everything down into little bite-sized pieces. By doing this, you can reduce a huge project down to do-able portions that can be done whether you have 2 hours a week to write or two full days! It only requires a little planning and organization.
It’s important to keep reading as your own journey as a writer continues. Each author has a different style and uses different storytelling techniques. The stories don’t even have to be great. You can learn from the good, the bad and the bland. Just analyzing what made a book bland is a great lesson in itself. Did the story need more action? Did the story get stuck somewhere?
or other books you read. Reading other authors is crucial no matter where you are on the writing spectrum. However, when you’re new, you can learn a lot from watching mystery or crime noir movies. I like movies from the 1940s, 1950s, and 1960s. The movies in these decades didn’t have CGI and the directors had to use the stage to tell the story. They used wider shots and props to assist the storytelling. By watching these older movies, you can learn a lot regarding writing.
It’s a good idea to read the synopsis before you view the movie. Knowing at least a basic outline of the story will allow you to absorb more as an author. If you go into the movie blindly, you will be “experiencing the movie” as a viewer only. By knowing ahead of time what story will be unfolding, it will allow you to watch specifically for certain scenes to unfold. You can watch what tools are used to move the story along. 
If you are looking for a suggestion, I would suggest Rebecca for the first movie. This movie was directed by Alfred Hitchcock and it has a lot of gothic atmosphere. There is also a psychological plotline in this story so it is a goldmine for learning storytelling tools. 





This is the third and last segment to the Personalized Workflow Series. In this post, I'll share my best strategies to find, make and claw back time to make room to write that book you want to write.
In order to find time, you need to analyze your life to find the wasted time and the dripping faucets of time. The last two segments of this series are all about looking at your duties and obligations from a bird's eye view in order to do a proper analyzation. By seeing everything on paper before your own eyes, you can more easily see where the time leaks and losses are happening.
Learn to break down projects into bite-sized pieces. Instead of scheduling yourself to write for five hours for two days in a row, try scheduling three two-hour writing sessions over the course of a week.
Multi-task Example 1: If you go to Church once a week, schedule a grocery pickup afterwards. Use Instacart to order the groceries and then simply swing by and pick up the groceries on your way home. That's a two to three hour savings right there.
Multi-Task Example 2: Schedule doctor appointments on the same day, one in the morning and one in the afternoon. Schedule research to be done in the waiting room in both doctor offices. Most doctor offices allow you to use at least a general Wi-Fi. Then add lunch with a friend between the visits and keep up friendships as part of your new lifestyle.
At the end of your day, when you're ready to sit back and relax, put in a load of laundry first. Set an alarm to put it into the dryer. Be sure to transfer it to the dryer and then you're done. If you have enough energy to fold and hang the clothing when done, great. Otherwise, the folding can go on to tomorrow's list of things to do. Just tumble dry the clothes for five minutes before folding. You have just found two more hours to write.
Infants: If you have small babies, this announcement won't work, of course, but you can make good use of their nap time. That can be your time to write. Toddlers can be a handful and you may need to schedule your free time to write after their bedtime. If that is your only time, let your spouse know you want to set aside a few hours to write and you need his or her cooperation.
Clawing back time and energy from your job is a different strategy. This can only be done in some jobs. Realigning and redistributing your energy, however, can be done in any job or career. Let's talk about the differences below.
If you have a great job but it's in a toxic environment, the amount of energy that you are expending psychically, mentally and emotionally is very high. Working with horrid people and/or in a toxic environment is very draining. A good job is better than a toxic career, especially if you have a goal to write or pursue a different occupation. So just be aware of this. You may want to employ some of the strategies for taking back time and energy from a dead-end job so you can gather your energies for other pursuits.
In the last installment, I described how to start your duties and obligations list with realistic times associated with each one. The list will prove itself over a week or so. Then you will be ready to expand on that list and make a series of workflows, templates, and procedure lists or diagrams. I have posted my own above to jog your memory as to where we left off.





There comes a time when any author or creator starts to accumulate a lot of documents. Manuscript files, first drafts, editor drafts, book cover files, social media images, how-to information, checklists, not to mention a work calendar of some kind. You can see that it can get overwhelming very quickly.
Most people are balancing a personal life and a work life. Thinking about what you need to accomplish at work without taking into account all that is required in your personal life is a recipe for disaster. Your goals will be unrealistic and it will be a setup to fail.. It’s important to plan around realistic personal and business goals.
Make a list of what a week in your life looks like. For me, I write novels, do book marketing, write blog posts and make videos (for marketing reasons as well as sharing my experience and knowledge with others).
Here’s a personal example: To write, sit in corner of my bedroom in a chair, with my laptop, with a table set up next to it. I like to drink coffee when I write, so I make sure I have a pot ready and on hand. I also place a pad and pen on the table so I can down any new names I choose during the writing process. I write in Scrivener which is loaded onto my laptop, so that’s all I need for the entire writing session. By recreating your perfect environment you can design a setup or gathering list so you won’t keep interrupting yourself with forgotten items.
In the next installment of this series, I’ll talk about getting more efficient. How to rid yourself and your life of time eaters, energy zappers, and other dead-end roads to nothing but time loss with zero accomplishments.
I found out later that more experienced authors even suggested that newer authors consider writing in series because it's easier to market the books. But my venture into writing book series was a happy accident.

I use broad-stroke character arc for the main characters that extends over all the books in the series. Each individual book, however, the character grows and changes a little bit. So each book contains its own arc, but there is a longer series arc for the main characters. It helps to know this before you start writing the series.


